My student recital this year was canceled, as I’m sure is the case for many of you due to the current COVID-19 pandemic. In place of our in-person event, my students and I moved forward with “Plan B” — organizing a “virtual recital”. I went about this process similar to the way my friend Jonathan Roberts did, as discussed in this recent Teacher Feature post.
I pretty pleased with how it turned out, and I’d actually like to use this recital format again sometime in the future! In this long-form blog post, I’ll share specific steps for how I went about organizing and publishing my studio’s virtual recital, and what I learned along the way.
Hello readers! I’ve had a few teachers ask me about the terms of the Studio License for items in my shop (my composer lapbooks, for example), now that we’re all teaching online. When I originally wrote the terms of use, I can’t say I had online teaching on my radar yet! š So, I’ve recently adjusted the wording. In case more of you are wondering about this issue, I’ve pasted the new terms below. These licensing details can be referenced anytime on the Terms of Use page here on my website.
STUDIO LICENSE Permission is granted for the purchasing teacher to make unlimited printouts and use the digital files for the purpose of teaching their own students. Sharing printouts or the digital files beyond that purpose is not permitted. The purchaser is not permitted to resell the item(s), or alter, modify, or create derivative works.
Basically, I want you to be able to freely use your purchased files with your students, but I also appreciate that you don’t aid others in avoiding purchasing the items for themselves. (For example, don’t email out the files to all your fellow teachers!) š
MTNA’s 2020 Virtual Conference
In other news… Did you know that MTNA’s 2020 National Conference went virtual this year, and that they’ve made all the sessions available to ANY music teacher worldwide? Check out the MTNA Virtual Conference here! So far, I’ve watched a handful of the sessions and am planning to gradually make my way through them all.
It certainly was disappointing for MTNA to have to cancel their plans to hold the national conference in Chicago last month, but how generous of them to pivot and move everything online. As usual, I’m proud to be an MTNA member!
Today, I’m pleased to share with you a piece of music called Grace that I composed some years ago, as an undergraduate student.
My first two years of college studies were spent as a piano performance major at Grand Rapids Community College, near my hometown in Grand Rapids, Michigan. I have such good memories of my time there. It was a time of great growth for me, both personally and as a musician. I was meeting and making friends with people wonderfully different from those in the “bubble” I had grown up in up to that point. I adored my piano professor. And I felt like my musical senses were becoming more alive every day, thanks to the Aural Comprehension and Music Theory classes I was taking. I was experiencing immersion in a vibrant, diverse, and musical environment.
How are you doing, fellow teachers? How are you finding your physical and emotional well-being during this Covid-19 pandemic? And how is your teaching going? Remote teaching certainly carries its joys and challenges, does it not?
This is intended as a followup to my previous article, Teaching Piano During the Covid-19 Pandemic. Many of us now have a few weeks’ worth of remote lessons under our belts. Hopefully, you are feeling fairly comfortable with your teaching setup (Are you keeping it simple, as I suggested in my article?), and perhaps you might even be feeling ready to make a few incremental improvements to your arrangement! It’s not looking like we will be back to in-person teaching very soon, so why not experiment a little, right? š
And, of course, let’s make sure we are taking care of ourselves. There are small tweaks we can make to ensure our comfort and well-being during long stretches of teaching.
As before in my previous article, I am again not necessarily recommending purchasing expensive new equipment at this time. Instead, I’d like to share some ideas for simple, easy ways to upgrade your setup using mostly items you probably already have around the house.
The suggestions in this article range from the simple to the more involved, and they are addressed in that order. Don’t try them all, and certainly not all at once. Instead, select an idea here and there, and see where that takes you.
Please join me in taking care of ourselves first, so that we can then take care of our families and students well!
1. Sit Comfortably
Are you sitting on a backless piano bench while you teach over the internet? Why not swap it out for a more comfortable chair?
[My cat, Kira, demonstrates how comfortable a computer chair can be at the piano when you’re teaching.]
Using a chair with back support will help prevent soreness. If you use a computer chair, you’ll have the benefit of being able to swivel between the piano keyboard and your nearby resources — saving your neck!
2. Prevent Vocal Fatigue
Are you finding yourself talking louder than usual when teaching via the internet, and suffering from a sore throat by the end of the day? Here’s a few suggestions to help alleviate this issue.
This post is a follow-up, of sorts, to my post last week about how to get started teaching remote piano lessons. As we navigate the impact of the Covid-19 pandemic, we face opportunities to not only adapt our teaching, but also our recital organizing!
Today, I bring you a bit of inspiration for how YOU could consider offering a recital opportunity to your students during these unprecedented times. My friend, Jonathan Roberts (organizer of the South Shore Piano Camp for which I’ve instructed the past two summers), recently organized a “virtual recital” featuring videos made by his students and then posted to YouTube. I have been considering doing something similar next month with my students. Seeing how Jon’s virtual recital turned out earlier this week has made me more inspired and motivated to take on this project!
Before you read on, check out Jon’s playlist here. I hope you enjoy Jon’s sense of humor in his opening/closing remarks video, as well as seeing his students play their prepared pieces in their own home environments.
Upon being asked, Jon was kind enough to agree to being interviewed about how he went about organizing and publishing his virtual recital. So, now that you’ve seen for yourself how it turned out, let’s have a conversation with Jon to learn more about this project!
Hi, Jon! Could you tell us a little bit about your studio and your studentsā recent virtual recital?
Hi, Joy! Thank you so much for having
me.
This past September, I expanded my home studio into a multi-teacher organization, the South Shore Piano School, in Quincy, MA (just south of Boston). We have doubled in size since then, with an enrollment of about 70 students right now, ranging in age from 4 to 67. In addition to weekly lessons, we run monthly student recitals and regular community āfield tripsā to hear world-class pianists, both solo and with the Boston Symphony Orchestra.
Our first-ever virtual recital was a project I put together shortly after school classes, after-school activities, and most public gatherings were suspended, seemingly overnight. On about 24 hours notice, we had to move over to online lessons pretty quickly, and we were actually supposed to have an in-person recital on Sunday, March 22nd.
Irina and I, at her home studio in Carmel, Indiana.
As Irina’s method books have continued to grow in popularity, she began touring internationally to give workshops about her method. Currently, she lives in Asia and is a faculty member at Chengdu College of Chinese and ASEAN Arts.
Today, I’m writing a review of Irina’s online course for piano teachers. If you’ve heard about her course and wondered what it was like, this review is for you. Read on!
Here’s what I ended up gifting my students last month:
Gloves for pianists š
Treat sacks with brownies
I ordered the black gloves from eBay (here). I used white 3D fabric paint to add the treble clef on the RH glove, and allowed it to dry. I came back later to flip it over and draw a bass clef on the LH glove. They turned out pretty cute!
I can’t take credit for the idea. I saw a piano teacher share the idea in one of the Facebook groups for piano teachers, quite some time ago. I saved the idea, thinking I’d probably use it some year. And here we are!
I baked the brownies myself and placed two pieces in each treat sack, separated by a square of parchment paper. A quick piece of ribbon makes them look a bit festive.
If you’re looking for a good brownie recipe, here’s the link to the one I used: Best Fudgiest Brownies. My husband is a better cook than I am; he’s able to bake them just right so they are wonderfully fudgey, plus achieve that lovely cracked look on the top. Fortunately, they still taste pretty great even when I bake them. š
Just thought I’d share. I always appreciate getting ideas from other teachers, and bet you do too!
Three years and counting…Note Rush is still my favorite app for piano teaching! (Hearing about it for the first time? It’s a note recognition app. Check out my original review here!)
Back in 2016, I shared a free printable of a Note Rush chart I made (pictured below) for tracking students’ best times for each of the built-in five levels. (Thanks goes to Note Rush’s developer, Thomas Grayston, for providing the images I needed to create these printables.)
To kick off the new 2019 school year, I decided to hold a studio-wide Note Rush challenge for my students for the month of September. To help facilitate this challenge, I created a few new printables. Below, I’m going to share those printables and tell you all about the challenge. Perhaps you’ll want to consider holding your own Note Rush challenge for your studio!
This was definitely a highlight of my summer — hosting a third annual Piano Teacher Retreat! This involved three days and fourteen teachers exploring this year’s theme: rhythm and Edwin Gordon’s Music Learning Theory (MLT). I can’t tell you how much I enjoyed our shared three days of discussing, learning, laughing, and musicking. It was such an honor and pleasure to spend this time with this wonderful group of teachers.
The event was held at my home in Bowling Green, Ohio, August 1-3, 2019. Nine of us stayed overnight here in my home, while the other five were hosted at my colleagues’ homes nearby.
These ladies arrived with coordinating black-and-white, and red-white-and-blue! š
Looking for ideas for pieces to play when performing alongside your students at student recitals? Here’s a few considerations.
Don’t think your piece has to be long, overly advanced, or showy/virtuosic. The goal is to share something fun and valuable for your students to hear. Why not play a piece your high schoolers could play someday? Why not refresh a piece you’ve previously learned?
Is there classical repertoire you are currently working on, or would love for your students to hear? How about a Beethoven or Haydn Sonata movement, or a Chopin Nocturne or Waltz? Or how about a short piece by Debussy, Muczynski, Gershwin, Tcherepnin, or Bartok?
Short on practice time? How about an intermediate or advanced sheet music single by a pedagogical composer, such as Melody Bober, Catherine Rollin, or Robert Vandall?
How about something familiar and/or popular? For example, an arrangement of a classic such as “What A Wonderful World” or “Somewhere Over The Rainbow”? Or what about a lovely hymn arrangement? For something flashy and fun, how about a virtuosic transcription by Jarrod Radnich? Did you know Nancy Faber wrote a fun jazz/pop arrangement of “Canon in D”?
Do you like to compose? How about playing something you wrote yourself? Students with the same inclinations might find this especially inspiring!
Do you have an advanced student or colleague who would enjoy playing a duet with you?
What friends do you have who play instruments other than piano? It might be fun to collaborate with another instrumentalist.
Idea from a reader: Have students vote from a shortlist of pieces you could play at the recital. Surprise them on recital day with the piece that gets the most votes.
Switch it up each year!
I’m curious: What are examples of pieces YOU have played at your studio recitals? Please post in the comments.
P.S. Perhaps you’ve noticed: My web host company has been having server issues for the past few days, causing my website to be difficult to access. I apologize for any inconvenience this may have caused. I believe the issue is now resolved. Thanks for understanding!
