Last week, I hosted my 2026 Retreat at Piano Manor — a three-day event for growth-minded piano teachers. I feel so grateful to have been able to organize, host, and lead this event for teachers! Here are some highlights from our time together, June 8-10, 2026.
Continue reading “Highlights from my 2026 Retreat at Piano Manor”Hello readers,
Today, I thought I’d pass along information about a few professional development opportunities offered by the Gordon Institute for Music Learning (GIML) this summer. Taking my first Professional Development Levels Course (PDLC) through GIML back in 2016 was pivotal in setting me on a course to continue to studying music learning more deeply and applying Gordon’s work to my practice as a piano teacher. Since then, I’ve taken three other PDLCs. I highly recommend them.
Below are details about three offerings this summer (2026) of GIML’s Piano Level 1 PDLC.
Winston-Salem, North Carolina, USA
Dates (in person): July 6-10
Dates (Online Theory): May 17- June 28
Regina, Saskatchewan, Canada
Dates (in person): June 29-July 3
Dates (Online Theory): May 10-June 21
Kammermusiksaal Ehrenbreitstein (Koblenz, Germany)
Dates (in person): July 20-July 24
Dates (Online Theory): May 17- June 28
For more complete details as well as information about GIML’s other 2026 PDLC offerings (choral, early childhood music, elementary general, etc.), click here. For more details about what is covered in GIML’s PDLC Piano Level 1, please visit GIML’s website here.
My tips:
Related:
Professional development has a way of reigniting your teaching like nothing else. I hope you have something great for yourself on the horizon!
If you teach piano or music and love hands-on rhythm activities, this one’s for you. I’m excited to share a free printable for the Rhythm Rotation Game — a fun, structured activity to help students explore macrobeats, microbeats, divisions, and improvised rhythm. Continue reading to download the free printable and view a two example videos.
Continue reading “Rhythm Rotation Game (Free Printable)”
It was September of 2008, and I was an undergraduate college student at Hope College (Holland, Michigan) at the beginning of my senior year as a piano performance major.
One day, the professor of one of my classes announced that a guest by the name of Dr. Edwin E. Gordon would be visiting campus for a few days. Dr. Gordon was to deliver a lecture, lead a Saturday workshop, and join our class to tell us about his research and theories regarding music learning.
Continue reading “My First Encounter with Dr. Edwin E. Gordon and his Music Learning Theory (MLT)”
Hello friends,
I have an announcement to share today — one that’s been a long time coming. I won’t beat around the bush. I wrote a book! It’s called Keys at Play, Book 1: 88 Progressive Pieces for Pianists of All Ages. And it’s available for order now, across the world, in hardcopy form.
Continue reading “Announcing: Keys at Play, Book 1: 88 Progressive Pieces for Pianists of All Ages”
As promised in my last post, today I’m sharing a recent short video of my daughter, Aria, and I playing my Trick-or-Treat rhythm game. In fact, we took this video clip earlier today!
I’ve been playing this game with Aria daily for the past two weeks or so. I don’t ask Aria to read the rhythms on the cards, as I might with my older students. She’s three-and-a-half years of age, and my priorities are on developing her ear and musical understanding of that which she hears (i.e., audiation).
So, instead we use a variation of the game where the teacher reads and performs the rhythm pattern, and the student echoes it back. This is a valuable activity not just for young students, but for any student especially as they encounter new rhythm elements. (Read more about how I use this game with my students here.)
Anyway, please enjoy this short video and my time-stamped notes below. I hope you get some new ideas or inspiration from watching our interaction!
Continue reading “Playing my Trick-or-Treat Rhythm Game with my 3-Year-Old”
It’s that time of year! I have a recurring event in my calendar that reminds me at the end of September each year to get out my Trick-or-Treat Rhythm Game for my piano students. I use this game at the start of almost every lesson I teach throughout the month of October.
This game has been a classic in my studio since I created it back in 2018. I made it available for purchase in my shop a year later in 2019.
Over the past couple of weeks, I’ve been working on making some revisions to the game and am pleased to announce the new version now available. I’ve smoothed out the progression of difficulty a bit and created 5 levels of cards instead of 4, but the game is essentially the same. In this post, I’ll tell you a bit more about it plus share some insights into how rhythm is taught from a Music Learning Theory perspective.
(PS: If you purchased the game in the past, you are eligible to receive an updated PDF at no cost. In fact, past purchasers of the game will receive an email from me later today containing a download link to the revised version. If you don’t see it, please contact me here and let me know!)
Continue reading “Trick-or-Treat! Rhythm Game – Newly Revised”
It’s that time of year — time to pull out my Trick-or-Treat! rhythm game! During the weeks leading up to Halloween, I like to use my Trick-or-Treat rhythm game at pretty much every student’s lesson. It’s a fun way to make students “earn” their treat, and it’s such a great game for building their rhythm skills. Best of all, they LOVE this game!
Continue reading “Getting out my Trick-or-Treat rhythm game!”
In recent conversations with a couple of piano teachers, I was asked there is a review available here on my blog about Music Play, a book I like to draw from for movement and ear/audiation activities with my young daughter and my piano students. Look no further, friends — here’s my full review!
Continue reading “Review: “Music Play” Early Childhood Music Curriculum by Edwin E. Gordon et al.”
In my last post, I mentioned I am delivering a presentation for NCKP 2021’s Virtual Conference tomorrow. My presentation shares about a personal research project conducting early childhood music (ECM) activities with my daughter throughout her first year of life. It’s been fun and rewarding to see Aria’s musical development up close, and I am learning so much from the process. I have hundreds of videos I’ve been collecting, logging, and analyzing!
I thought it might be fun to share a video of Aria here on my blog, for my readers as well as for any NCKP conference attendees interested in seeing a more recent video clip. The video below was taken a few days ago, with Aria at 17 months old.
The ECM activities I do with Aria are based on Edwin E. Gordon’s Music Learning Theory (MLT). I took a two-week summer certification training Early Childhood Music Level 1 offered through the Gordon Institute for Music Learning (see GIML.org) back in 2017, and have been putting my training to good use since Aria was born in February of 2020. I took the Piano Level 1 certification the summer prior to that, which I blogged about here.
Here is the video, as well as a short description of what you’ll observe in the video.
Continue reading “Early Childhood Music with my 17mo Daughter”
Hello, readers! Summer is gone, and we’re now into the groove of the new school year. My last blog post shared the details of my recent Piano Teacher Retreat, held August 1-3, 2019. The rest of August went like a blur, due to a variety of travel. Here’s a little bit of a catch-up post!
Backing up just a step… The week before the retreat, I attended NCKP 2019. It was a phenomenal conference, as always!
I attended so many great sessions. My favorite was a session given by Louis Svard, presenting on “The Musical World of Infants: What It Can Tell Us About How Children Actually Learn Music.” She has a blog called The Musician’s Brain you can check out here.
I had the privilege of presenting two sessions during NCKP, both on Wednesday as part of the Pre-Conference Seminars. First, I gave a session for the Wellness Track called “Lessons for Piano Teachers from the Alexander Technique.” In this session, I share my experience as a student of the Alexander Technique and how taking AT lessons has impacted me as a musician and piano teacher.
Later that afternoon, I also presented one of my favorite talks: “Piano Method Mining: Gems from Past and Present.” In this session, I provide a survey of piano methods from past to present, highlighting the ones consider most notable and still useful today. The room was full, and I received such wonderful feedback afterwards!
This was definitely a highlight of my summer — hosting a third annual Piano Teacher Retreat! This involved three days and fourteen teachers exploring this year’s theme: rhythm and Edwin Gordon’s Music Learning Theory (MLT). I can’t tell you how much I enjoyed our shared three days of discussing, learning, laughing, and musicking. It was such an honor and pleasure to spend this time with this wonderful group of teachers.
The event was held at my home in Bowling Green, Ohio, August 1-3, 2019. Nine of us stayed overnight here in my home, while the other five were hosted at my colleagues’ homes nearby.
These ladies arrived with coordinating black-and-white, and red-white-and-blue! 🙂
We began our first day by breaking out into small groups to research some introductory information about Edwin E. Gordon’s Music Learning Theory.
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