Joy Morin, MM, is a teacher, pianist, composer, speaker, and writer of a blog at ColorInMyPiano.com. A devoted teacher and lifelong learner, she teaches students of all ages at her independent piano studio near Ann Arbor, Michigan. Joy is a frequent attendee and presenter at conferences and workshops, and enjoys connecting with fellow piano teachers through her blog and beyond.
Today, I’m pleased to share with you a piece of music called Grace that I composed some years ago, as an undergraduate student.
My first two years of college studies were spent as a piano performance major at Grand Rapids Community College, near my hometown in Grand Rapids, Michigan. I have such good memories of my time there. It was a time of great growth for me, both personally and as a musician. I was meeting and making friends with people wonderfully different from those in the “bubble” I had grown up in up to that point. I adored my piano professor. And I felt like my musical senses were becoming more alive every day, thanks to the Aural Comprehension and Music Theory classes I was taking. I was experiencing immersion in a vibrant, diverse, and musical environment.
How are you doing, fellow teachers? How are you finding your physical and emotional well-being during this Covid-19 pandemic? And how is your teaching going? Remote teaching certainly carries its joys and challenges, does it not?
This is intended as a followup to my previous article, Teaching Piano During the Covid-19 Pandemic. Many of us now have a few weeks’ worth of remote lessons under our belts. Hopefully, you are feeling fairly comfortable with your teaching setup (Are you keeping it simple, as I suggested in my article?), and perhaps you might even be feeling ready to make a few incremental improvements to your arrangement! It’s not looking like we will be back to in-person teaching very soon, so why not experiment a little, right? 🙂
And, of course, let’s make sure we are taking care of ourselves. There are small tweaks we can make to ensure our comfort and well-being during long stretches of teaching.
As before in my previous article, I am again not necessarily recommending purchasing expensive new equipment at this time. Instead, I’d like to share some ideas for simple, easy ways to upgrade your setup using mostly items you probably already have around the house.
The suggestions in this article range from the simple to the more involved, and they are addressed in that order. Don’t try them all, and certainly not all at once. Instead, select an idea here and there, and see where that takes you.
Please join me in taking care of ourselves first, so that we can then take care of our families and students well!
1. Sit Comfortably
Are you sitting on a backless piano bench while you teach over the internet? Why not swap it out for a more comfortable chair?
[My cat, Kira, demonstrates how comfortable a computer chair can be at the piano when you’re teaching.]
Using a chair with back support will help prevent soreness. If you use a computer chair, you’ll have the benefit of being able to swivel between the piano keyboard and your nearby resources — saving your neck!
2. Prevent Vocal Fatigue
Are you finding yourself talking louder than usual when teaching via the internet, and suffering from a sore throat by the end of the day? Here’s a few suggestions to help alleviate this issue.
As I was perusing Instagram recently, I saw a BINGO sheet a piano teacher had created for her students. I thought it was particularly well done; the activities she came up with were so great! I was inspired to create my own version for my students, so I reached out to her to ask if she minded if I used many of the same activities. She generously responded “yes”! (Thank you, Lynnette!)
So, today I’m sharing with you my own take on a BINGO sheet for piano students. I think this printable is perfect for use with piano students anytime, but especially during the current Covid-19 pandemic.
The activities on the sheet encourage students to complete activities on their own that are creative, fun, and often involve a family member/friend. Here are a few examples:
Today, I’m pleased to share with you a composition I wrote a couple of years ago called Simplicite.
I’d been long intending to finish notating Simplicite and create a video recording for the piece. I’m never at a lack of exciting projects to work on, but now in the midst of the current Covid-19 pandemic I found myself looking for a specific kind of thing to focus my energy on. I felt somewhat at a loss until I pulled out this project. It’s been a good project in the practical sense because it’s something I can easily start and stop, working in tandem with my baby daughter’s napping schedule. But more importantly, working on Simplicité has felt…comforting, somehow. This is a testament to the power of music, perhaps!
This post is a follow-up, of sorts, to my post last week about how to get started teaching remote piano lessons. As we navigate the impact of the Covid-19 pandemic, we face opportunities to not only adapt our teaching, but also our recital organizing!
Today, I bring you a bit of inspiration for how YOU could consider offering a recital opportunity to your students during these unprecedented times. My friend, Jonathan Roberts (organizer of the South Shore Piano Camp for which I’ve instructed the past two summers), recently organized a “virtual recital” featuring videos made by his students and then posted to YouTube. I have been considering doing something similar next month with my students. Seeing how Jon’s virtual recital turned out earlier this week has made me more inspired and motivated to take on this project!
Before you read on, check out Jon’s playlist here. I hope you enjoy Jon’s sense of humor in his opening/closing remarks video, as well as seeing his students play their prepared pieces in their own home environments.
Upon being asked, Jon was kind enough to agree to being interviewed about how he went about organizing and publishing his virtual recital. So, now that you’ve seen for yourself how it turned out, let’s have a conversation with Jon to learn more about this project!
Hi, Jon! Could you tell us a little bit about your studio and your students’ recent virtual recital?
Hi, Joy! Thank you so much for having
me.
This past September, I expanded my home studio into a multi-teacher organization, the South Shore Piano School, in Quincy, MA (just south of Boston). We have doubled in size since then, with an enrollment of about 70 students right now, ranging in age from 4 to 67. In addition to weekly lessons, we run monthly student recitals and regular community “field trips” to hear world-class pianists, both solo and with the Boston Symphony Orchestra.
Our first-ever virtual recital was a project I put together shortly after school classes, after-school activities, and most public gatherings were suspended, seemingly overnight. On about 24 hours notice, we had to move over to online lessons pretty quickly, and we were actually supposed to have an in-person recital on Sunday, March 22nd.
At the time of this publishing, the world is in the midst of the COVID-19 pandemic. Here in the U.S., the CDC (Centers for Disease Control and Prevention) is recommending no gatherings of 50 people or more for the next eight weeks, so most events are being canceled. Many of us (depending on which state you live) are experiencing canceled school classes, university classes, and work. The local grocery stores keep running out of basic staples, because everyone is stocking up. The pandemic’s effect is deep and wide, and our response is important. The recommendations call for us to regularly wash our hands and practice “social distancing” to avoid possible spread or exposure to the virus. The goal is to slow the spread of the outbreak (i.e., “flatten the curve“) to avoid overwhelming the medical facilities in this country for the sake of those of us who will require medical care when the virus is contracted. This is a time for us to pull together and be community-minded.
What does this mean for our piano teaching? For me, as it so happens, I’ve been on maternity leave from teaching for the past six weeks. My student base is currently comprised of a handful (due to having recently relocated here) of students in Ann Arbor, Michigan and a day’s worth of students back in Northwest Ohio — an hour’s drive commute to the studio where I rent a room. I had planned to resume lessons soon, but due to the pandemic situation I’ve put all in-person lessons on hold.
Instead, I’ve reached out to my students and suggested that we continue lessons via FaceTime/Skype/Zoom. School may be canceled, but there’s no reason piano can’t continue! Perhaps for us and our students, continuing piano practice and lessons with us all feel a small bit of stability and normalcy during these intense times. And certainly, for many piano teachers there is a natural concern about finding a way to maintain a level of income during these difficult times.
And so, many of us are moving our piano lessons online. In this blog post, I’d like to share some tips and advice for doing so — things I’ve learned from experience teaching online lessons occasionally over the past few years.
Irina and I, at her home studio in Carmel, Indiana.
As Irina’s method books have continued to grow in popularity, she began touring internationally to give workshops about her method. Currently, she lives in Asia and is a faculty member at Chengdu College of Chinese and ASEAN Arts.
Today, I’m writing a review of Irina’s online course for piano teachers. If you’ve heard about her course and wondered what it was like, this review is for you. Read on!
Hello, friends! I have two things to share with you.
First of all…
I want to say THANK YOU for the many congrats and well-wishes I received from you upon the announcement of our new baby girl, Aria. My husband and I have been waiting a long time for our precious bundle. We feel so blessed to have her in our lives — as well as such a supportive community of friends and family. It was so nice to receive so many kind comments and personal emails from you!
A few of you were curious about what I am doing / plan to do music-wise with Aria. I’ll answer this question in a future post. (Probably Monday.) Stay tuned!
In other news…
Today, February 28, 2020, is a momentous day: it’s my blog’s ELEVENTH blogiversary! How shall we celebrate?!
For starters, I’d like to continue our annual tradition of offering a promo code for 20% off everything in my digital shop. The sale is live today through March 31, 2020. Be sure to enter the promo code 11YEARS to receive the discount.
If you’ve been following my blog for awhile, you know that I rarely hold sales. So, if you’ve been eyeing my favorite Ice Cream Intervals game, my rhythm cards, or are thinking ahead to music camp curriculums for this summer, now’s a great time to buy! Browse the shop now by clicking here.
Thanks for celebrating our eleven years, friends! I’m so looking forward to the next year together.
I’m so pleased to announce the arrival of Aria Kennedy, born 02/02/2020. We’re doing well, and are so grateful for the new addition to our family. Aria has been good to us so far.
You might be wondering why I’m reviewing a non-piano-related book here on my blog. Bear with me – the reasons will become clear in a moment!
I remember hearing about this New York Times Bestseller when it came out in 2014. Although it sounded interesting to me at the time, I’m reading it for the first time recently. Afterfinding out we were pregnant last summer and soon afterwards experiencing the woes of first trimester nausea and occasional midnight insomnia, I was suddenly on the hunt for an ebook I could read in bed on my phone without disturbing my sleeping husband. I liked the idea of reading something related to our new adventure as soon-to-be-parents, but was looking for something less information-driven than classics such as “What To Expect When You’re Expecting“. After seeing a recommendation for “Bringing Up Bébé” and reading its reviews on Amazon, I felt this book was just what I was looking for.
In this book, the author, journalist Pamela Druckerman, recounts her experience as an American raising a baby (and later, two more) in France. Soon after moving to Paris, she began noticing certain stark differences in child-rearing approaches in France compared to those typical in the United States. She started paying attention to this and asking questions — even stashing a notebook in her diaper bag — and investigating to see if she could learn more about how the French parent their children.
Druckerman noticed French children are generally well-behaved in public, waiting calmly for meals to arrive and waiting their turn to speak. French children enjoy a diversity of prepared vegetables, proteins, and salads and are accustomed to eating meals served in courses alongside their parents at designated times (8am, noon, 4pm snacktime, and 8pm), while American parents often expect their children might refuse to eat much else besides “kid food” (such as mac and cheese, chicken fingers, and snack food). French children are encouraged to be autonomous and independent in their play, being allowed more room to become absorbed and find pleasure in an activity for its own sake. In contrast, American parents might follow their children around the playground, delivering praise for mundanities such as going down the slide or tying their shoes. While French babies learn to “do their nights” around three months of age, American parents expect to function (or perhaps, not function) in a sleep-deprived manner for a year or more until baby begins to sleep through the night.
As shared in this post, my husband and I recently relocated from Bowling Green, Ohio to Saline, Michigan (outside Ann Arbor). I’m sure I’ll share a full tour of my new piano room, but for today, I wanted to share a simple solution I found to help remind my students to remove their shoes when they arrive.
My new piano room is carpeted, and it’s a light color. I didn’t always enforce the “shoes off” rule in my previous home, but I decided I wanted to be more consistent about that here. Even I follow this rule strictly myself.
The main way to achieve that is to train students from the first time they are at the studio. However, I thought it might be nice to also add a friendly reminder for them to see when they arrive.
As shared