Composition, Music Camps

2016 Composition Summer Camp: Day 1/4

As mentioned previously, this week is the week: it’s composition camp for my students and me!

So, You Want To Be A Composer?
June 13-16, M-Th from 10am-noon
Throughout this camp, students will experience the joy of creation while composing their own music: from the energy of the initial creative urge, following the path of their personal inspiration, then settling it all into a captured vision. By the end of the week, each student will take home an illustrated copy of their composition, printed using professional music notation software. In addition to individual work, students will get to take part in group-based improvisation and composition throughout the week. For students ages 5-14. No previous musical background necessary.

As it turned out, ten students — all current piano students of mine — registered for this camp.

On the first day of camp, our goal was for each student to (1) chose a subject for their musical composition and (2) draw an illustration.

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It is so fun to see what each student chooses and how they choose depict the subject matter through their drawing.

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Later in the day, each student took a turn improvising at the piano inspired by his/her drawing. This allowed us explore and experience the process of expressing through sound.

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The rest of the group provided feedback about how the improvisation made them feel or what the music reminded them of.

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This is good preparation for Day 2, when we will start formulating the structure of our compositions and writing them down on staff paper.

That evening, I scanned each student’s illustration so that it would be ready to digitally insert into Finale software later in the week.

Stay turned for more photos of our camp week! [Click here for Day 2.]

improving as a teacher, Practicing

On Establishing A Daily Habit (Practicing the Piano or Otherwise)

Establishing A Daily HabitFor a long time, I have identified myself as someone who is terrible at remembering to take my daily multivitamin pill.

I wanted to do better. I believe in the benefits of taking multivitamins, and I wanted to take them daily.

I was motivated, but I just couldn’t seem to do it each morning.

So, I started experimenting with putting my multivitamin bottle in a certain place in the house that might help me create a daily habit of taking my multivitamin each morning.

First, I put the bottle in the kitchen on the countertop, in plain sight. I hoped that seeing the multivitamins when I came into the kitchen for breakfast would serve as a good reminder every day. This worked for a little while, but I didn’t like having the bottle sitting out. I like having clear countertops. And I didn’t want my multivitamins sitting out when having visitors, so I tended to tuck the bottle out-of-sight on those occasions…which caused me to forget the next day.

Next, I tried putting the multivitamin bottle in the bathroom, near my toothbrush and other getting-ready-for-the-day items. This didn’t work, either. The problem was that it wasn’t convenient to get a drink of water for swallowing the multivitamin. I had to find my water bottle (which tends to travel all over the house with me) or go to the kitchen for a glass. Because it wasn’t convenient enough, I ended up skipping my multivitamin most days.

Then, I tried putting the multivitamin bottle in the kitchen pantry, on the shelf just below the cereal boxes. I tend to eat a bowl of cereal every morning, so I thought this would be a good place. And I liked that the bottle was out-of-sight instead of out on the countertop. As it turned out, however, my eyes did not always see the multivitamin bottle there in the pantry. There were too many other cans and bottles in the pantry.

So, what finally worked? How did I successfully create a habit of taking my multivitamin pill every morning?

I put the bottle in the cupboard, next to the cereal bowls. Why did this work? This works because I always take out a cereal bowl every morning, so I can’t miss seeing the bottle. Being in the cupboard means that the bottle is never in plain sight or in-the-way on the countertop. Getting a glass of water is easy, because the glasses are within arm reach and so is the sink. I am reminded to do it each day, and it is convenient. 


This experience made me wonder: What other behavior changes can I make in my piano teaching or in other areas of my life? How can I apply what I learned about my new multivitamin habit to other habits?

How about this one: How can I help my students become consistent practicers?

We piano teachers tend to cite a lack of motivation when it comes to students failing to practice regularly. But what about when the problem isn’t a lack of motivation? Many of our students want to practice, but there are barriers preventing it from occurring daily.

Remember, in my case with the multivitamins, I wanted to take them but it wasn’t convenient enough and I didn’t have a sure way to remind myself to do it in the first place.

Instead of focusing on motivating our students to practice, what if we helped our students brainstorm and implement practical ways to eliminate the barriers that make practice difficult or inconvenient? What if we helped them come up with effective reminder systems for daily practice? How can we help students create their own opportunities to achieve “small wins” on their way to establishing new habits?

Please share your input in the comment section below.

repertoire / methods

Check Out Composer Sara Tomlinson’s Music

paper airplane coverGood day!

Today, I am so happy for my friend, Sara Tomlinson, who recently was accepted into Jennifer Eklund’s Composer Community through PianoPronto.com. Please take a moment to listen to Sara’s piece “Paper Airplane” via the video below.

Paper Airplane is a flowing, intermediate-level piece in the key of Eb. You can preview the digital sheet music and purchase via digital download here.

To receive notifications when Sara’s other compositions became available, please like her Facebook page or join the email list at her website.

Music Camps, Studio Business

Free: Editable Form for Summer Lesson and Music Camps Selection

Today, I thought I’d share the form I have been handing out to my students for the past couple of years in order to present summertime camp/lesson options.

The top of the handout presents the music camp descriptions and dates/times.

summer camp descriptions

At the bottom, there is a form where students can make their selection regarding the summer camps and lessons. I provide my students with a few package options to choose from, while expecting them to continue making the normal tuition payments each month. This gives us both the flexibility and consistency we need for summertime.

summer option selection

Feel free to download this editable Microsoft Word file: “Summer Lesson and Camp Selection form” via the link at the bottom of this post or on the Printables > Studio Business page.

  Summer Lesson and Camp Selection form (143.4 KiB, 3,144 hits)

Music Camps

My 2016 Summer Camp Offerings

The weather is warming, and summertime is practically here! I don’t know about you, but I’m gearing up to offer a couple of music camps this summer.

summer camp descriptions

 

I first offered a composing camp to my students back in 2012 and have decided it is time to offer something similar this summer. I plan to use my So, You Want To Be A Composer? curriculum while pulling in some newer ideas and resources.

The second camp, Music History Blast From The Past, is one that I have been offering my students for the past four years. We focus on a different historical time period and a specific composer example each day. Students love the hands-on crafting and the discovery of what they can relate to from composers’ lives. I find this camp gives us a great foundation of knowledge for us to refer when learning to play staples of the piano teaching literature. To study each composer, I use the composer lapbooking curriculum that is available in my shop. Check out the general lesson plans here.

Here are the descriptions for the camps I’m offering this year.

So, You Want To Be A Composer?
June 13-16, M-Th from 10am-noon
Throughout this camp, students will experience the joy of creation while composing their own music: from the energy of the initial creative urge, following the path of their personal inspiration, then settling it all into a captured vision. By the end of the week, each student will take home an illustrated copy of their composition, printed using professional music notation software. In addition to individual work, students will get to take part in group-based improvisation and composition throughout the week. For students ages 5-14. No previous musical background necessary.

Music History Blast From The Past
July 11-14, M-Th from 10am-noon
Back by popular demand! This camp gives students a glimpse into the lives of four great classical composers. As we study each composer’s childhood and career, students will learn about the music, fashion, art, and architecture of the time. Every year, students are fascinated to find that they can relate to the life stories of composers who lived hundreds of years ago. In the long run, having this broader context of music history enriches later years of piano study, especially when playing classical piano literature. Each day, students will take home a crafted scrapbook page about that day’s composer. For students ages 5-14. Previous musical background preferable, but not necessary.

What summer camps are you planning this year?

Update: Check out the form I give out to my students in order to present summertime camp/lesson options.

Games, Videos

Video: Playing the Ice Cream Interval Game

During a recent lesson, I used my Ice Cream Interval Game — one of my favorite games for piano teaching — to reinforce and improve my student’s visual recognition of the intervals unison, second, third, fourth, and fifth in staff notation. Today, I thought I’d share a three-minute video clip of the activity.

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Here is what you’ll see in the video:

  • 0:00 When playing this game with my students, sometimes I like to hand-pick certain cards from the pile for the student to sort next, in order to build success. First, I made sure Emma could easily distinguish 2nds versus 3rds.
  • 0:10 Then, I gave Emma a card showing a 4th on the keyboard, and then a 5th on the keyboard. After that, I start giving her 4ths and 5ths notated on the staff.
  • 0:12 I like to ask the question: “How many notes are being skipped over?” I have found that this is a more effective strategy leading to being able to quickly recognize intervals on the staff upon sight, as opposed to allowing students to count all of the steps within an interval (for example, counting “1-2-3-4-5” for a 5th).
  • 1:00 I point out to Emma that 5ths look like triads except that the middle note has been removed.
  • 1:18 I encourage Emma to try to recognize the intervals on sight, instead of immediately resorting to counting the steps within the interval.
  • 1:44 Emma enjoys taking note of which cone has the most ice cream scoops so far. Students often comment on this during the game, because it’s fun! Emma does it again at the end of the video.
  • 2:08 Emma is beginning to recognize the various intervals upon sight, as evidenced by the increased amount of ease and decreased amount of time she uses while sorting the cards.

The Ice Cream Interval Game is available in my shop as a digital PDF download here. To read more of my thoughts regarding the important role of interval recognition during sight-reading, check out this post. Thanks for watching!

Performances, repertoire / methods, Reviews

My Favorite Sheet Music Solos for Piano Students

For our annual Spring Recital, I maintain a tradition of letting my piano students choose their own special piece to memorize and perform. In December or January, I restock my library of sheet music solos at all the various levels, so that I can demonstrate 3-4 pieces for each student to choose from.

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I’ve started to try to keep track of some of the pieces that I feel were favorites or especially successful in performance over the past few years. I think every teacher should keep track of their favorite teaching pieces! I suggest doing so using a YouTube playlist or a spreadsheet file (Excel or Google Sheets). In fact, I have started a Collaborative Repertoire List project here that you may be interested in viewing.

Today, I’d like to share with you a selection of favorite sheet music solos my students have played over the past few years. In this video, you will hear me talk about and play excerpts from 18 pieces. Below the video, you’ll find written comments for each piece as well as links for purchasing the sheet music. Enjoy!

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EARLY ELEMENTARY

  • 1:20 Dancing Drums, by Joyce Grill —  A lively piece in a minor key that has a catchy and interesting melody. Teacher duet.
  • 2:00 Japanese Garden, by Jennifer Linn — An expressive, pentatonic piece for beginners. Teacher duet.
  • 3:20 In My Dreams, by Jennifer Linn — This piece has an absolutely gorgeous melody. 36 measures in length. Teacher duet.

MID ELEMENTARY

Continue reading “My Favorite Sheet Music Solos for Piano Students”
Announcements

Monday: Experiment with Facebook Live Video

Greetings, folks!

Just wanted to let you know that on Monday (March 21, 2016), I plan to create a live video using Facebook Live. You won’t want to miss it — I’m going to share about some of my favorite sheet music solos for piano students.

To watch, login to Facebook and visit the Color In My Piano blog’s Facebook page at noon Eastern time. You will see the notification there when the video stream goes live.

I will also be posting the video replay afterwards.

Hope to see you then!

improving as a teacher, Professional Development, repertoire / methods

Printable: The Benefits of a Yearly Review, Listing Piano Students by Level

At the beginning of the new year, I like to take some time to look at my teaching roster and create an overview of my students’ current playing abilities by level. This process is helpful for choosing recital repertoire for upcoming events, but it is also useful for creating a benchmark to compare to previous and future years.

Usually, this process of listing out my students by level takes place on a piece of blank scratch paper and my scratch-marks don’t necessarily look pretty.

But this year, I got a little more organized and created a tidy-looking printable for myself!

201601 Student Level List

I’ll be the first to admit that it is a feat to “level” music or to “level” a student’s playing ability. There are so many factors that go into creating music. In many ways, music seems to naturally defy any such categorization by difficulty. Yet, it is incredibly useful to have SOME sort of benchmark system, a starting-point, something to work from — even if the leveling system is inherently imperfect.

Using the printable above, I can see the big picture. I can take my list to the music store with me to restock my library of sheet music solos. I can update my progress notes for each student.

If you would like to use this printable, you can download the free PDF via the link below or the Printables > Other Resources page under the title “Students Listed by Level”.

  Students Listed by Level (31.0 KiB, 2,377 hits)

Side note: This is a good example of a topic that is covered during my online course for piano teachers. Get more information and join the separate email list at institute.joymorin.com.

Studio Business

Recommended: Daniel Patterson’s New Blog

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I recently connected with an Indiana-based piano teacher named Daniel Patterson who is creating a valuable resource for piano teachers: a site called GrowYourMusicStudio.com. Daniel is dedicated to helping teachers attract quality students and make a comfortable living doing what they love.

I’ve read and reviewed Daniel’s first ebook and I consider it highly recommended reading. Click here for the PDF download: The Piano Teacher’s Ultimate Facebook Guide.

Daniel’s first blog post can be found here. You’ll definitely want to subscribe to the email list so you will be notified about new content.

Be sure to check it out!