Category: improving as a teacher

improving as a teacher, Studio Business

Building Your Studio: How to Inform Parents About Your Tuition Rates

Joy Morin

When you get a phone call from an parent of a potential student asking about studio information, should you inform potential students of your rates first, or should you tell them about your studio first?

I know a fellow teacher who does not answer the “rates question” – even when specially asked about it – until the end of the phone call, after she has told them about everything her studio offers.  She chooses to emphasize the quality of the music education she offers in her studio before informing the parent of the rates.   Not a bad idea!

Other teachers are very upfront and prefer to tell parents their rates first thing.  There is no harm in either method.  Personally, I am somewhere in the middle.  Unless specifically asked, I save the rates information until the end.  Regardless of where you stand, it’s a good idea to plan in advance how you are going to deal with the “rates question” when the potential student calls.

How do you like to handle the “rates question”?

Photo credit: http://www.flickr.com/photos/publicdomainphotos/ / CC BY 2.0

improving as a teacher, Studio Business

Building Your Studio: Offer Free Trial Lesson, and Have References Ready!

Joy Morin

A few months ago, I received a call from a parent who was looking for lessons for her two daughters.  She was a little reluctant to commit to lessons because of a past experience with another teacher: the teacher was an excellent performer, but unfortunately not as great of a teacher.  I chatted with her for a few minutes and I told her about my studio and my teaching experience.  Then I offered to give her a trial lesson for free, so she could see for herself what my teaching style is like.  She agreed to this, and afterwards, was happy to commit to lessons.  We’ve been continuing ever since.

At her daughter’s lesson this week, the same parent kindly offered (with no request on my part) to be a reference or write a letter of recommendation should I ever need one.  When she said this, I realized that having a reference or two (from other happy parents) ready to give her would have been a another great way for her to learn about my teaching style and personality — and it would have been much more convincing than hearing it from me!

Lessons learned: DO offer a free interview/first lesson, and DO have references ready to give out!  =)

Click here to read ideas for activities to do with the student at the first free trial lesson and click here for some free printables for use during the first trial lesson.

Photo credit: http://www.flickr.com/photos/stephenliveshere/ / CC BY-SA 2.0

Announcements, Group Classes, improving as a teacher, Motivation, Performances, repertoire / methods

Listening and Communicating in 4-Handed Piano Music

Joy Morin

A colleague of mine and I are planning to learn some four-handed piano music this summer, and perhaps do a whole recital together of just four-handed music in the fall semester.  So I’ve been digging around on YouTube, looking for repertoire ideas.  And I have couple of cool videos to share with you today:

httpv://www.youtube.com/watch?v=omuZF6oaCnw

What a great video to show students!  Everything is so perfectly synchronized, and their playing is so beautifully expressive.  They are AMAZING musicians.

Here’s another fine duo team.  Perhaps the coolest thing about this video, however, is the piano they are playing on: a Pleyel Double Grand Piano!  I’ve never seen anything like it!

httpv://www.youtube.com/watch?v=OjYfdB0CvSg

There are some important benefits of playing four-handed repertoire.  Both players must be actively listening and communicating with each other — not only so that they are together beat-wise and so that the melody and accompaniment ideas are balanced, but also so that they are playing musically together: shaping phrases together, executing rubato together, and calling and responding to each other’s melodic motives.  Developing these skills while working on four-handed repertoire can give a whole new perspective to solo piano repertoire!  Besides — working on four-handed music can be a lot of fun!  =)

Watching these videos looks like so much fun, I think I’m going to dig through the duet music on my shelf and find some duet pieces to assign to some of my students to work on over the summer too!

Group Classes, improving as a teacher, Performances, Practicing, Teaching Piano, Technology

Preparing for Student Recitals: Recording!

Joy Morin

Many of us teachers are probably currently preparing our student for spring recitals, so today I thought it might be beneficial to discuss a way of preparing for performances: recording your students playing their pieces, and then listening to the playback together.

Benefits of Recording

  • The student practices performing. Playing for a recording device can be almost as nerve-wracking as playing for an audience!  There’s no better way to practice handling nerves than to perform often.
  • The student becomes the listener. When listening to the playback, the student is given the opportunity to hear what the piece sounds like from an audience member’s perspective.  The student is bound to aurally notice things that they had not realized they were doing (or NOT doing, as the case may be).  For example, the student may realize that the dynamic contrasts are not really coming through, or that the melody is not projecting over the accompaniment as well as s/he had thought.
  • The student becomes the teacher.  After listening to the playback, the student can evaluate piece and identify the areas that went well or could be improved, and then begin discuss ways to improve the piece. Continue reading “Preparing for Student Recitals: Recording!” →
improving as a teacher, Teaching Piano

Play forte – but NOT accented…

Joy Morin

You know, learning to play an instrument is all about making breakthroughs.  There are so many things to consider and train yourself to do.  It’s a complicated process!  You are never done learning.  There’s always room for improvement.

Over the last few weeks, I’ve been realizing that when I play forte on the piano — whether I’m playing my solo pieces or when I am accompanying a vocalist/instrumentalist — it sounds rather “poundy.”  Forte should not necessarily mean accented, however.  Forte can be a big, full sound without the accented front edge of the note.  But how on earth do I achieve this elusive sound?

This week I made a little breakthrough.  Rather than lifting and reattacking quite so much between chords, I need to keep my arm weight the same as I make the chord changes, more with my fingers than my hands (making sure the wrists remain loose and tension-free!).  It’s difficult to explain, but after a few weeks of pondering this issue in my daily practicing, I think I’m beginning to understand how to create this elusive sound.

You know, piano really is all about creating different sounds, colors, tone qualities – whatever you want to call them.  As my teacher used to say, “Music is not a democracy; not all notes are created equal.”  Now I know that this statement does not just apply to balance between melody and accompaniment, but also to various sections of a piece.  Not all forte notes are equal.  🙂

Photo credit: http://www.flickr.com/photos/jraffreynolds/ / CC BY-SA 2.0

improving as a teacher, Technology

So you want to start a blog?

Joy Morin

Today, I thought I’d share a little bit about my experiences as a blogger.  I don’t claim to be an expert by any means, but I would like to share what I have learned over the past year!

Considerations before starting your own blog:

  • Determine your audience. Who are you writing for — your students?  fellow piano teachers?  Music teachers in general?  Stay focused on one target audience, rather than trying to combine. Find your niche and start generating ideas for what to blog about.
  • Choose a focus/goal. What kind of topics would you like to cover?  What do you hope your readers will gain from your blog? Brainstorm ideas for blogging for the long term.
  • Think long-term. What are your goals in having a blog?  How long do you see yourself blogging?

Tips for successful blogging:

  • Post original content. While it’s great  to share links to great sites and blogs where you’ve found great resources, you don’t want to be constantly directing your readers away from your site.  Posting original content is what will keep them coming back!
  • Keep yourself on a schedule. How often do you plan to post on your blog?  Every day?  Once a week?  Think realistically, make a plan, and stick to it.
  • Keep an “ideas” notebook. Are you bursting with ideas for blog posts?  Capture all your ideas on paper, before you forget them!  Later on, you can return to this list and continue blogging even when inspiration is low. Continue reading “So you want to start a blog?” →
Early Childhood Music, Group Classes, improving as a teacher, Music Camps, Rhythm, Teaching Piano

Teaching 2-Against-3 Using Movement

Joy Morin

In answer to a question a received last week, I thought I’d talk a little bit more about teaching 2 against 3, as I had mentioned in a post about teaching music through movement.

To tell you the truth, I have not needed to teach 2 against 3 very often so far, and when I have, it’s been in private piano lesson settings.  In the past, I’ve used a purely theoretical approach (similar to the method described in this article and this article) to teaching the concept, using tapping of the RH and LH, and have been only mildly successful.

However, I have experienced another method that works.  During my undergrad, I took a Dalcroze Eurhythmics course, and we went over a number of different meter and rhythm concepts, including the issue of 2 against 3.  Although I already understood the concept of 2 against 3 prior to that class, it was quite revealing to look at it from the perspective of movement.   Continue reading “Teaching 2-Against-3 Using Movement” →

Announcements, improving as a teacher, Printables, Teaching Piano, Technology

Celebrating One Year!

Joy Morin

After browsing through the colorinmypiano.com archives and — alas! — it seems that we’ve missed our own anniversary!

Here’s a rundown of the history of the colorinmypiano.com blog:

  • It was on February 28, 2009 that I first conceived of this blog and wrote my first post: a welcome and brief statement of purpose.  I found my inspiration largely from Natalie Wickham’s Music Matters Blog and Susan Paradis’ Piano Teacher Resources.  My blog was initially a free wordpress blog, titled “Piano Teaching Blog” (or something similar).  At this point, I was running a successful piano studio of about 20 students out of my parent’s home, and finishing up my Bachelor’s degree in piano performance.
  • In May of 2009, I graduated with my Bachelor’s degree.  Over the summer, my husband and I moved so we could attend graduate school the next year.  Unfortunately, this meant I had to “give away” all my piano students and find new ones.  =)
  • On July 9, 2009, I decided that I was enjoying blogging enough to go full swing: I came up with the title “Color In My Piano,” bought my own domain name and a year’s worth of web hosting, and gave the site a whole new look. Continue reading “Celebrating One Year!” →
Early Childhood Music, improving as a teacher, Resources

Music & Movement: Inseparable!

Joy Morin

One of the reasons I’ve been considering offering early childhood music classes is because I am a firm believer in the strong relationship between music and movement.  As an undergrad, I took two semester of Dalcroze Eurhythmics which I found incredibly useful.  We learned movements that fit different meters and learned to respond expressively to music through our movements.  I think students would have a much easier time developing a good sense of beat and rhythm if they could learn it naturally through movement.  Even complex concepts such as 3 against 2 seem more natural when approached through movement rather than a purely theoretical approach.

Besides, movement is fun!  =)

Photo credit: http://www.flickr.com/photos/kwanie/ / CC BY 2.0

improving as a teacher, Memorization, Performances, Practicing

12 Tips for Memorizing Piano Music

Joy Morin

I’ll be the first one to admit: memorizing music does not come easily to me.  I really have to work at it, and it takes a lot of time.  Over the past couple of years, I have been reading and trying out everything I could find about memorizing music, and I’ve come up with a number of tips that have been helpful for me.

Some people memorize effortlessly, without even trying.  These are practical tips for the rest of us.  🙂

12 Tips for Memorizing Piano Music:

  1. From Day 1, practice your music with the intent of internalizing and memorizing it. Don’t wait until you’d got the piece learned to begin memorizing it.
  2. Use good fingering and use it consistently. It will take a lot longer to learn the piece if you are using different fingerings every time.  Writing your fingerings in the score will help (especially if you decide to use fingering other than what is indicate in the score).
  3. Always memorize the dynamics, articulations, and other markings on the page along with the notes. Don’t wait until you have the notes mastered!  It’s difficult to go back and fix things later.  It’s better — although perhaps more tedious initially — to learn it right the first time.
  4. Continue reading “12 Tips for Memorizing Piano Music” →
improving as a teacher, Memorization, Motivation

3 Benefits of Incorporating Improvisation | Part 6 of the series

Joy Morin

We’ve arrived at the end of the series on incorporating improvisation!  We’ve already discussed the obstacles, history, and value of improvisation.  And in the last few posts, we discussed at length a practical, 4-part method for incorporating improvisation into the piano lesson.  Today’s consideration is the last of the series: what are the major benefits of incorporating improvisation into the piano lesson?  Here are the big three:

  1. Students are more likely to remember and understand concepts when learned creatively through improvisation.  This is largely related to the strengthening of the connections between theory and practice.
  2. Students are more likely to be motivated to take lessons when they are doing creative tasks.  There is so much more to music than learning to follow directions on the page!
  3. Students are more likely to memorize securely, and more likely to easily recover from memory slips.  Students who understand what is going on in the music (i.e., can identify the key, the form of the piece, and even some of the harmonic progressions) they are more likely to have their pieces memorized securely.  And in the event of a memory slip, students accustomed to improvising can simply improvise until they get back on track!

I hope you’ve enjoyed this series on improvisation!

What benefits have you found in conducting improvisational activities with your students?

Be sure to check out the rest of the posts in the series:

Series: Incorporating Improvisation into the Piano Lesson

  1. Creativity in the Piano Lesson – Introductory musings.
  2. Top 3 Obstacles when Teaching Improvisation
  3. A Brief History of Improvisation
  4. The Value of Improvisation
  5. Incorporating Improvisation:
    1. part a
    2. part b
    3. part c
    4. part d
  6. 3 Benefits of Incorporating Improvisation (now viewing)