General

MTNA 2014 (1) — Ingrid Clarfield: From Hot Cross Buns to Les Adieux

MTNA 2014 has been awesome so far! My friend and I took the MegaBus to Chicago on Friday and we attending the option Pedagogy Saturday. I attend mostly sessions from the Technique and Artistry Track. The first session that day was given by the ever-dynamic Ingrid Clarfield!

Ingrid Clarfield: From Hot Cross Buns to Les Adieux

Ingrid began by playing Hot Cross Buns on the black keys in the most musical way. She joked that she was sure that we all woke up early at 8am hoping to hear Hot Cross Buns. 🙂

From the first lesson, we want our students playing musically and beautifully:

– Listening to end of slurs.
– Building through repeated notes.
– etc.

Ingrid then demonstrated a variety of repertoire that fit under the following categories:

(1) Slurs and Arm Circles
Ingrid made her signature teaching move: adding entertaining lyrics to the piece/exercise. 🙂 Hanon is wonderful for teaching arm circles. The lyrics: “I can make a big fat circle” for at a slow tempo, and later then later: “I can make a little circle.” It is important to teach the arms to be involved from the beginning.

(2) Motivic Repetitions — the 1-2-3 we so often see in music.
To learn voicing, Ingrid recommended practicing the two voices with two hands at first in order to get the right sound in your ear, and then play it within the same hand.

(3) Thinking in terms of Orchestration (String Quartet or Orchestra).
Be sure to have students listen to good recordings so they know what good musicians and their instruments sound like. Then you can have students orchestrate their pieces by writing the instruments they hear in their piano score. It doesn’t matter much what they pick as much as that they have thought about it.

(4) Timing for Surprising (or “sick”) Harmonies.
Find and mark surprising harmonies. Play the passage to students with the surprising harmony removed and replace by the expected harmony. This will allow students to better hear and enjoy the harmony and perhaps add some rubato to it.

The examples of teaching pieces that Ingrid demonstrated in connection to each category were extremly enlightening. For example, there is a great example of a surprising harmony in Fur Elise that many students play through with little acknowledgment.

Having students think in terms of these categories is extremely helpful in getting students to play musically from the very beginning of their studies.

Rhythm

Now Available: Rhythm Cards Level 3

Over the past few months, I have received many inquiries asking when the Level 3 Rhythm Cards will be available in the Shop.  I am so pleased to announce that they are here

As with the other items in my Shop, the rhythm cards are a PDF download that includes the license to print from the PDF as much as desired for use with your own students.  The Level 3 PDF contains 22 pages of rhythm cards (5 on a page), for a total of 110 cards.  These cards work great for a variety of games (such as Swat-A-Rhythm, the Rhythm Train Game, or the BANG! game) and also work well to send home with students as part of their weekly assignments.

Each card contains a three- or four-measure rhythm example.  The rhythm examples in Level 3 use ties, sixteenth rests, and various combinations of sixteenth notes with eighth notes.  The time signatures used are 3/4, 4/4, 6/8, 9/8, and 12/8 time.

Rhythm Cards, Levels 1-3

Continue reading “Now Available: Rhythm Cards Level 3”

Reviews, Technology

iPad App Review & Giveaway: MMF Piano Primer

app MFF piano primerMaking Music Fun’s Piano Primer — $1.99 for iPad only.

Many of you are perhaps familiar with the Making Music Fun website, which contains a variety of free worksheets and sheet music.  MMF created Andrew Fling has recently released his first iPad app, which is essentially a digital version of his Piano Primer PDF.

From within the app, students can read from the 19 pieces of sheet music, listen to recordings of each piece, and easily view a “Note Name/Keyboard Chart.”

MFF piano primer screenshots

A note about the pedagogy of this primer:  It uses the Middle C Reading Approach.  It begins with on-staff note reading with the thumb on C.  In all of the pieces, students play in C position.  Keyboard layout, rhythmic elements (rhythm values and time signatures), staff/keyboard correlation, and fingering are briefly taught during the four-page introduction.

Although I would not use this app as a core method book with a beginner student (due to its pedagogical approach), I do think the pieces from the app have practical use as supplemental pieces.  My only complaints about the app itself is that (1) one cannot print the music from the app, and (2) page numbers are missing.  I plan to download the PDF to my GoodNotes app so that I can conveniently print during the lesson.

I love the idea of having music available for students to play within an app, especially with recordings of the music so readily available within the app.

Disclosure: I received a free download of the MFF app but I was under to obligation to write a positive review.  I always write my honest opinions!  

Andy has offered two promo codes for a giveaway.  Leave a comment on this post to enter — tell me about your Spring Recital plans if you have them!  (My Spring Recital is tomorrow!)  The winner will be randomly drawn on Wednesday, March 19, 2014.

Reviews, Technology

iPad App Review: Piano Carnival

Check out this awesome, recently-released iPad app:

app Piano CarnivalPiano Carnival Interactive E-Book – FREE for iPad only.

This app was created by Sonya (a friend of mine) and her sister Elizabeth Schumann.  Piano Carnival is an interactive eBook that contains delightful illustrations, reads the poetry aloud to the view, and plays videos of the Schumann sisters playing Saint-Saens’ music “Carnival of the Animals.”

screen480x480

Here is a quick video that demonstrates what this delightful app can do:

This trailer video gives some background into the app’s creation.  Sonya and Elizabeth have also created a companion page on their website that contains lesson plans and more resources related to Carnival of the Animals.  Be sure to take a look at all of the resources offered there!

It is exciting to see more apps released that take advantage of the full capabilities of the iPad!

Group Classes

March 2014 Piano Party: Master Class

My students are currently preparing pieces for a local Ribbon Festival as well as my studio’s annual recital.  (I always hold my Spring recital in March or April — I think May gets too busy!)

In order to help prepare them for these events, I decided to ask my friend, Loretta, to give a master class for my students during our “Piano Party” group class this month.  Loretta and I became friends during grad school while earning our pedagogy degrees.  She currently runs a multi-teacher studio in Lansing, Michigan.

Loretta loved the idea and asked if I would give a master class for her students in return.  It turned out to be a great exchange and a very positive experience for all of our students!

Here is a group photo of me with some of Loretta’s students after our master class:

DSC_20140223_145719_2 Continue reading “March 2014 Piano Party: Master Class”

Announcements

Celebrating 5 Years!

carlitos_BalloonsFriday marked the five-year anniversary of Color In My Piano!  I meant to write this post on Friday, but I have been preparing tax documents all weekend instead.  I finished gathering all of the paperwork yesterday and am bringing it to our CPA today.

Enough about the unpleasantness of taxes!  Let’s celebrate five years!!

Have you ever wondered why I chose the name “Color In My Piano?”  Here is the story:  The phrase was coined when, during my senior year of undergrad at Hope College, I was required to write a lengthy essay which reflected upon the past experiences of my life and summed up my current worldview.  Not surprisingly, much of paper focused on my beliefs about music and the role of the piano in my life.  I believe music is much more than a series of notes strung together.  It is a powerful force that can influence our emotions, encourage, heal, and energize.  In my life, I strive to keep my music-making and teaching from feeling like merely a job or a requirement.  I strive to keep “color in my piano” for both my students and myself.

In case you are interested, below is a run-down of the history of the Color In My Piano blog over the past five years.   Continue reading “Celebrating 5 Years!”

Announcements

Sale Reminder

Just a quick reminder:

There are only THREE days left to shop during the February 20% sale, in celebration of the 5-year blogiversary of ColorInMyPiano.

In the shop, you will find PDF’s of Rhythm Cards, the Prompts for Composition e-Book, and the “Great Composers & Their Music” lapbooking curriculum — perfect for group classes or music camps.

You will need to enter the following code during check-out in order to receive the sale price.  This sale won’t be back until next year, so plan accordingly!  Copy the code below and then click here to visit the shop.

  • FEBFUN

The code will expire on February 28, 2014.

Music Camps

Offering Summer Music Camps for Piano Students

Are you thinking about holding any camps/workshops this summer?  Here are some great reasons to consider holding camps:

  • It allows you to reinforce concepts or cover topics that are difficult to cover during private lessons.  E.g., music history, rhythm, improvisation, composition.
  • It is a great way to build camaraderie among your students.
  • It allows you to have a different/lighter teaching schedule during the summer if you desire.
  • It creates the possibility of increasing your income during the summer months.

Here is what I do during the summer months.  This is pasted directly from my Studio Policies:

Summer Months: During the summer months (June _ through August _), private students are expected to continue taking lessons; however, they have two options: 

  1. 5 lessons scheduled as convenient for the student and teacher, plus all two 4-day summer camps (one each in June, July, and August).  Each camp meets from 10-noon Monday through Thursday.  Summer camps themes vary each year, but may include Musical Olympics, Music History Blast From The Past, Music of the World, etc.  
  2. Or, students may continue weekly lessons (10 in total) as normal.  Students who choose this option may also participate in one or more summer camps for a nominal fee.   

Not only does the teacher feel strongly about the value of continuing the student’s musical education throughout the summer months, but the teacher’s livelihood depends upon a regular income throughout the summer months because the tuition rate has been determined based on a 12-month calendar.  For these reasons, if a student does not continue lessons through the summer, the student unfortunately cannot be guaranteed a spot in the schedule in the Fall especially if there is a waiting list.  

For either option, students are expected to continue paying the flat monthly tuition rate.  This system has worked very well for the past two years and I plan to do it again this summer (2014).

Things to consider as you are planning your camp:

  • How long do you wish for it to last?  Examples: 4 consecutive days for 2 hours each day; or 5 hours in one day; or 6 Tuesdays for 1 hour each day.
  • What is your ideal number of participants?  What is your minimum and maximum number of participants to make it worth your time?  Personally, my range is 4-10 but my ideal group size is 6 or 8.
  • Consider how much you’d like to get paid as a minimum hourly wage during the camp.  Also consider your time involved in all of the preparations beforehand.
  • Choose a theme/topic.  Consider what kind of curriculum you will use — will you write your own lesson plans or buy them?
  • Make a list of all of the materials you will need and total the expenses.  Examples: paper, printer ink, glue, scissors, food for snacktime (or you could ask students to pack their own snack/lunch), game materials, pencils, crayons, craft supplies, etc.
  • Price your camp so that you will be profitable even if you have the minimum number of participants sign up.   Research what it costs for students to attend other types of camps in your area.

Setting Tuition

Be sure to crunch the numbers for a different scenarios until you find a tuition rate that is profitable for your business but also reasonable for your students.  For example…

Scenario 1: Let’s suppose you charged $100/student for an 8-hour camp (4 days, meeting 2 hours each day).

  • If you have 4 students attend and the expenses totaled $100, you would make $300.  If you divide this by the 8 hours of contact time with the students, you are earning only $37.50/hour (not including prep time).  [As with all of your income, of course, you will lose between 20-30% of your income to pay self-employment taxes.]
  • If you have 6 students attend and the expenses totaled $100, you would make $500.  If you divide this by the 8 hours of contact time with the students, you are earning $62.50/hour (not including prep time).
  • If you have 10 students attend and the expenses totaled $100, you would make $900.  If you divide this by the 8 hours of contact time with the students, you are earning $112.50/hour (not including prep time).

Looking at these numbers, I would probably decide that this tuition rate is not profitable in the event that only 4 students register.  Therefore, I would either set my minimum number of students to 6 (which means risking that I might have to cancel the whole thing if I don’t get 6 registrants), or set a higher tuition rate.

This is just a scenario for how you might go about deciding what rate is right for you and your area.  I’m not trying to suggest a particular tuition rate, but rather show you how to think through the numbers.  🙂  Here is another scenario.

Scenario 2: Let’s suppose you charged $60/student for a 4-hour workshop (1 day).

  • If you have 4 students attend and the expenses totaled $75, you would make $165.  If you divide this by the 4 hours of contact time with the students, you are earning $41.25/hour (not including prep time).
  • If you have 8 students attend and the expenses totaled $75, you would make $405.  If you divide this by the 4 hours of contact time with the students, you are earning $101.25/hour (not including prep time).

As you can see, the success of your camp depends largely on how many students will register!

If you are thinking of holding a camp for the first time and are looking for an easy, complete curriculum, I would highly recommend holding a music history camp using my lapbook curriculum, “Great Composers and Their Music.”  Read more about Music History Camp here.  The curriculum is ready-to-go and students absorb SO much information when they learn through lapbooking.

Other camps I’ve offered in the past include So, You Want To Be A Composer?, Music of the World, and Musical Olympics.

Please share your thoughts about how to plan special camps/workshops in the comments.  I would love to hear from you!

Announcements, repertoire / methods

Red Leaf Pianoworks

2014 Red Leaf Pianoworks Ohio flyer copyI love the internet.  Without it, I would have far fewer friends and contacts in the piano teacher world, wouldn’t you?

A few months ago, I connected with Canadian piano teacher and composer, Martha Hill Duncan.  She stated that she would be in my area in February during her husband’s sabbatical and so I asked if she would be willing to give a presentation about the music of Red Leaf Pianoworks at my home.  She said yes!

If you aren’t familiar with Red Leaf Pianoworks — It is a group of Canadian composers who collaborate to promote their self-published piano compositions. They have a website here and you may have seen them in the exhibit hall at conferences such as MTNA or NCKP.

Martha talked about the composers behind Red Leaf Pianoworks and demonstrated samples of their music for us.  It was fun to learn a little about each person and get a taste of each person’s unique musical voice.

  • Janet Gieck
  • Rebekah Maxner — (Remember my review of Rebekah’s book, “Madge’s Notebook“?)
  • Martha Hill Duncan
  • Beverly Porter
  • Susan Griesdale
  • Teresa Richert
  • Joanne Bender
  • John Burge

One of the things I noticed as I was listening to the pieces was how teachable the pieces were, while at the same time requiring students to get out of the typical five-finger positions that many American piano methods promote.  I am always on the lookout for supplemental books that get students moving around the keyboard more.

Martha and my colleague try out a piano duet.

DSC_20140218_115344

We had a lovely morning.  Afterwards, Martha, her husband, and I went out for lunch.

photo (6)

Be sure to check out the Red Leaf Pianoworks website here.

One of the questions I asked Martha was whether the Red Leaf Pianoworks has considered selling individual pieces as a PDF download from their website (and with the license for unlimited studio use — I love that!).  She said they haven’t talked about it much but may consider it for the future.  If this is something you would be interested in, leave a comment below to give Martha some feedback about this!  I’m sure they would appreciate hearing from teachers.