Composition, improving as a teacher, Teaching Piano

Improvisation Yields Creativity and Musical Understanding

I haven’t talked about improvisation lately, and in the past I’ve only spoken of the value and benefits of improvisation in the piano lesson in a rather academic-y way — and so today I’d like to discuss some specific benefits I’ve seen develop in a particular student of mine as a direct result of our improvisation activities.

Some background on my student: she (let’s call her K.) is just a beginner, having started lessons in January of this year.  K. is seven years old, and is now nearing the end of the Primer level of the Faber Piano Adventures.

Here’s what I’ve seen in K. so far:

  • The freedom to explore and be creative. She is learning by exploration. She enjoys figuring out how to play tunes by ear, without any assignment or direction from me.  She’ll say, “Look! I figured out how to play Mary Had A Little Lamb!”
  • She is discovering musical concepts on her own. She has already figured out — all on her own — that when she plays tunes in certain keys, she needs to use the black keys for them to sound right.  It’s astonishing when you think about it — she has actually discovered the reason behind key signatures and how transposition works, all by herself!  I expect that when we actually start talking about these concepts together, she will find these ideas easy to absorb because she already “gets it.”
  • Her ear is developing in a way that is far more efficient and practical than me drilling her with intervals (for example) over and over.  She knows what the interval of a 3rd should sound like when she sees it on the page, and her fingers then know what to do.
  • We’re having fun! Improvisation is a great way to end a lesson.  She is always excited to improvise on the black keys.

To sum it up, improvising regularly with my student has helped her realize the freedom that comes with the art of music, rather than placing a limit herself to play only “what’s on the page.”  And this is causing her to understand how music works all the better.

Creativity At Work

K. surprised me last week with a little composition she wrote.  And she created her own kind of shorthand for notating her composition onto a sheet of paper.  It looked something like this:  CDECCDEEFGGEDDDDEDC.  She informed me that the long notes were notated by having two of the same letter in a row.   Continue reading “Improvisation Yields Creativity and Musical Understanding”

Group Classes, Music Camps, Printables, Teaching Piano, Worksheets

Just Added: Scales & Primary Chords Worksheet 1 (CGDF)

Just added: a new free, printable worksheet called:

>  Scales & Primary Chords Worksheet 1 (CGDF)

Ideally, this worksheet is designed for the intermediate+ student who is already familiar with the scales and primary chords for the keys of C, G, D, and F major, and perhaps could use some review in writing them out on the staff.  However, this worksheet could also be used during a group lesson while introducing these ideas for the first time.

Terms/concepts covered in the worksheet:

  • An understanding of key signatures for C, G, D, and F major.
  • Practice writing out scales.
  • Practice writing out primary chords.

To download, visit the Printables > Worksheets page and scroll down to the S’s for “Scales & Primary Chords worksheet.”

Watch for the next worksheet coming soon, covering D, A, E, and Bb major!

improving as a teacher, Motivation, Practicing, Teaching Piano

My Thoughts on Practice Requirements

Many of you may remember being required by your piano teachers growing up to practice a certain amount of minutes each day/week.  Perhaps your requirement looked something like this:

  • 15 minutes a day,
  • 140 minutes each week, or
  • 45 minutes, 5 days a week.

One of my previous teachers built her incentive program around how much practice time each student completed each week.  She would set an amount for each student (15 minutes/day for the young ones, and then gradually increasing up to 60 minutes/day for the advanced ones).  If you completed all your practice time each week, you’d receive a sticker on your chart for that week.  When you received 7 consecutive weeks of completed practice, you were allowed to chose a prize from the prize box.  She used a system similar to the following:

  • Beginners: 10-20 minutes, 5 days a week (depending on their age).
  • Intermediate students: 20-45 minutes, 5 days a week.
  • Advanced students: 60 minutes or more a day, 5 days a week.

Personally, I use a simpler, more flexible practice requirement for my students.  I simply tell my students and parents that they are expected to practice daily.  And that’s it.  Here are my reasons why I like to leave it at that: Continue reading “My Thoughts on Practice Requirements”

Teaching Piano

Fun tip

Today I just thought I’d share a fun little tip I learned from one of my students this week!  Yes, you read that right: she taught me.  =)  She is a young beginner student, just learning how to read music on the staff.  She informed me that she came up with a way for remembering the note “D” (the one just above Middle C): D is the note that Dangles from the staff.  Clever!  I was so proud of her.  That is a little trick that I will definitely be sharing with my other beginner students.

Announcements, Games, Giveaways, Group Classes, Music Camps, Teaching Piano

May 2010 Free Giveaway: Drawing Music Symbols Boards

I am excited to announce the first ever free giveaway on the Color In My Piano blog!  *drumroll…*

THREE lucky winners will each be mailed a pair of laminated boards for learning and drawing music symbols.  (You may recall when I blogged about these boards here. I am keeping my set, of course, but I went back to buy more to share with you!)  These boards have a lot of potential for team games at group lessons or summer piano camps, or can simply be used during the private lesson.  They are two-sided — one side shows the symbols and their names, and the other side lists the names but leaves a blank staff for the student to draw the symbol.  Both sides are laminated to allow use with a dry-erase marker.

Unfortunately, because the prize is such a odd-shaped object and is expensive to ship, this giveaway is limited to readers from the continental U.S. only.

To enter: Continue reading “May 2010 Free Giveaway: Drawing Music Symbols Boards”

Group Classes, Memorization, Performances, Printables, Teaching Piano, Worksheets

Just added: Performing at the Piano Worksheet

Just added: a new free, printable worksheet called:

>  Performing at the Piano Worksheet

Just in time for the spring recital season, this fill-in-the-blank worksheet is intended to help prepare students for an upcoming recital or other performance by discussing stage presence and performance etiquette.

Terms/concepts covered in the worksheet:

  • Memorizing
  • Applause
  • Bowing
  • Checking the bench
  • and more.

This worksheet can either be sent home with students, completed one-on-one with the student during the lesson, or — my favorite — done as a group as a studio class or group lesson.   It would be fun to complete this worksheet as a group just before a practice run-through of a recital.

To download, visit the Printables > Worksheets page and scroll down to the P’s for “Performing at the Piano worksheet.”

Your turn!  Share your ideas for preparing students for recitals in the comments!

Announcements, Motivation, Performances, Teaching Piano, Technology

A Follow-up on Recording Students Before Performances

I don’t know about you, but I have some students who are participating in a spring performance coming up soon!  Last week, I recorded my student Jean playing her recital piece during her lesson (click to read more about recording students as preparation for performances).  Then we spent some time listening and discussing the recording.  Although it took a little bit of time to set up the devices need for recording ahead of time, I found that it was well-worth the time setting everything up and spending on doing a recording activity.

The set-up:

Using my digital recorder as an external microphone, I was able to capture video with high sound quality using iMovie software on my MacBook Pro.  Later on, I edited the videos using iMovie again and uploaded them to YouTube.  (If anyone would like more details about how exactly this is done, just ask! I can explain further.)

The result:

httpv://www.youtube.com/watch?v=N56ZHpnWfnw

The piece Jean is playing is an arrangement of Borodin’s Polovetsian Dance, from Dennis Alexander’s book, Especially For Adults. Continue reading “A Follow-up on Recording Students Before Performances”

Group Classes, improving as a teacher, Performances, Practicing, Teaching Piano, Technology

Preparing for Student Recitals: Recording!

Many of us teachers are probably currently preparing our student for spring recitals, so today I thought it might be beneficial to discuss a way of preparing for performances: recording your students playing their pieces, and then listening to the playback together.

Benefits of Recording

  • The student practices performing. Playing for a recording device can be almost as nerve-wracking as playing for an audience!  There’s no better way to practice handling nerves than to perform often.
  • The student becomes the listener. When listening to the playback, the student is given the opportunity to hear what the piece sounds like from an audience member’s perspective.  The student is bound to aurally notice things that they had not realized they were doing (or NOT doing, as the case may be).  For example, the student may realize that the dynamic contrasts are not really coming through, or that the melody is not projecting over the accompaniment as well as s/he had thought.
  • The student becomes the teacher.  After listening to the playback, the student can evaluate piece and identify the areas that went well or could be improved, and then begin discuss ways to improve the piece. Continue reading “Preparing for Student Recitals: Recording!”
Group Classes, Music Theory, Printables, Teaching Piano, Worksheets

Just Added: Write In The Barlines #2

That’s right, a new free printable worksheet has just been added to the Printables >Worksheets page:

Write In the Barlines #2

This worksheet is for use after using the Write In the Barlines #1 worksheet.  This time, students must draw the barlines through both staves of the grand staff instead of through just one staff.  This worksheet has 4 examples in four different time signatures, including 6/8.

This worksheet is designed for the late elementary / early intermediate level student, to reinforce the following concepts:

  • measures
  • barlines
  • ties
  • meters (2/4, 3/4, 4/4, and 6/8)

Click here to view and print it now!

improving as a teacher, Teaching Piano

Play forte – but NOT accented…

You know, learning to play an instrument is all about making breakthroughs.  There are so many things to consider and train yourself to do.  It’s a complicated process!  You are never done learning.  There’s always room for improvement.

Over the last few weeks, I’ve been realizing that when I play forte on the piano — whether I’m playing my solo pieces or when I am accompanying a vocalist/instrumentalist — it sounds rather “poundy.”  Forte should not necessarily mean accented, however.  Forte can be a big, full sound without the accented front edge of the note.  But how on earth do I achieve this elusive sound?

This week I made a little breakthrough.  Rather than lifting and reattacking quite so much between chords, I need to keep my arm weight the same as I make the chord changes, more with my fingers than my hands (making sure the wrists remain loose and tension-free!).  It’s difficult to explain, but after a few weeks of pondering this issue in my daily practicing, I think I’m beginning to understand how to create this elusive sound.

You know, piano really is all about creating different sounds, colors, tone qualities – whatever you want to call them.  As my teacher used to say, “Music is not a democracy; not all notes are created equal.”  Now I know that this statement does not just apply to balance between melody and accompaniment, but also to various sections of a piece.  Not all forte notes are equal.  🙂

Photo credit: http://www.flickr.com/photos/jraffreynolds/ / CC BY-SA 2.0

Games, Group Classes, Motivation, Music Camps, Music Theory, Resources, Rhythm, Teaching Piano

Group Piano Class Ideas

I recently came across this great video/podcast on Mario Ajero’s YouTube channel: an interview with pianist and piano pedagogue Dr. Julie Knerr.  Both Maria Ajero and Julie Knerr are graduates from University of Oklahoma’s widely recognized piano pedagogy program.  In this video, Dr. Knerr shares some of her game ideas for her group piano classes — which she holds weekly in addition to her student’s weekly private lessons — to build a variety of musicianship skills.  Check it out!

httpvh://www.youtube.com/watch?v=_EbQDrLwkxo&feature=PlayList&p=F4AF6DA098C0399F&index=0&playnext=1

Most of these activities could be easily modified for use during a private lesson, music camp, studio party, and other settings.  You can visit Dr. Knerr’s website at julieknerrpiano.com.  She has recently been co-writing a new piano method series called Piano Safari (as mentioned back in this post) available by order via PayPal at pianosafari.com.

Be sure to also check out more great podcasts at Mario Ajero’s website, The Piano Podcast.

Group Classes, Music Theory, Printables, Teaching Piano, Worksheets

Just Added: Write In The Barlines Worksheet #1

That’s right, a new free printable worksheet has just been added to the Printables > Worksheets page:

Write In the Barlines #1

This worksheet is an one I created a few years ago, and I thought I’d share it here for any of you to use!  My students LOVE taking home “extra credit” worksheets (outside of their weekly assignment from their theory books) to earn extra stickers.  =)

This worksheet is designed for the late elementary / early intermediate level student, to reinforce the following concepts:

  • measures
  • barlines
  • ties
  • meters (2/4, 3/4, and 4/4)

Click here to view and print it now!