improving as a teacher, Studio Business, Teaching Piano

Piano Student End-Of-The-Year Evaluations

I’m back!  I ended up taking two weeks off instead of one, I know.  🙂  But it felt great.  It feels great to be back too.

At the MTNA National Conference in NYC this year, one of the sessions I attended encouraged teachers to do yearly or quarterly assessments/evaluations of their students.  Some teachers accompany these assessments with a parent-teacher-student conference.  A few of the session’s attendees raised their hands to comment on their method of assessment and the benefits they’ve seen.  I was quite intrigued with the idea, and decided I wanted to give it a try this year.

The only time when I’ve done something similar to this is when I was worked at a summer music camp in my hometown.   I was the Theory & Composition Instructor, and the camp director asked each of us instructors to create some kind of assessment that we could send home with the students for the teachers and parents to be able to see what the student learned at camp.  These assessments were very short and sweet, since we had only had contact with the student for four classes over four days.

I started looking around the internet for ideas, and eventually formed a template I’m pretty happy with.  This assessment is not designed to do that same thing that standardized music testing is supposed to do.  It’s much more general.  It’s about communicating to the student and parent about the progress the student is making in various areas and the goals that I have in mind for them in upcoming months.  It is a bit like a report card, but with no actual grades.   Continue reading “Piano Student End-Of-The-Year Evaluations”

Announcements

Blogging Break

Just a quick post to let you know that I will be taking the week off from blogging.  My brother is getting married this weekend, so my husband and I will be staying in Michigan with my family for a few days.  And the early part of this week is going to be busy with the usual teaching in addition to the packing and preparations.

I hope you’ll miss me while I’m away!  🙂  See you all next week.

Games, Printables, Rhythm

Music Motor Match – A Rhythm Matching Game

A large percentage of my studio right now is beginner/early elementary students.  I like having simple and short games to play with them at the end of the lesson that reinforce concepts we are learning in their books.  Motor Music Match is a game that I created with these things in mind.  Take a look:

The point of the game is to match each car and sign to its proper place on the road where the rhythm value’s names are.  It’s a great game that only takes a minute or two, so it’s perfect for the end of the lesson where you have a little bit of extra time.  It would also work well to keep a copy of this game in your studio’s waiting room area.

When I first tested out this game with a student, he said, “There should be another level where it’s harder.”  That’s when I added the street signs.  🙂  So, to follow his suggestion, first ask your student to match the cars.  When they are able to do that successfully, clear the road and add the signs to make the game a little harder.

To download the pdf for this game, visit the Printables > Games page and scroll down to the M’s for “Music Motor Match.”  Enjoy!

Announcements, Performances

Spring Recital Details

As I mentioned yesterday, our Spring Recital was Saturday!  Here’s how it went down:

  • It was held at the local library.  They have an atrium with a Steinway baby grand piano.  In the past, I’ve always held recitals at churches (and once at a school).  I look for churches with grand pianos that can be moved to the center of the sanctuary.  Being new in town, I haven’t yet discovered which churches have this kind of set-up (plus they have to be affordable).  Two of my students suggested using the library, so we did.  It costs $50 to rent and it’s a nice location with high ceilings and lots of natural light.  I was happy with it!
  • I always play something at my students’ recitals.  This year, I asked my friend, a violinist for whom I’m accompanying for her semester juries at my local university, to play her jury piece with me.  She was thrilled to be asked — but she needed to be first on the program so she could leave early for another event she had in the afternoon.  I wish I could let you hear the piece — but I forgot to start the video camera before we played the piece!  (I’m still kicking myself.)  Anyway, here’s Itzhak Perlman playing it.
httpv://www.youtube.com/watch?v=bKI9uoNfC18
  • After the violin piece, my students played.  I had 10 out of my 16 students play at the recital (the others are adult students, new 4-year-old students, or had a schedule conflict).  I knew it would be a short and sweet recital, but I still feel recitals are beneficial enough that it was worth doing anyway!
  • After playing, my students stood in the front for a group photo, and I gave them each a rose for their performance.  It’s a tradition I’ve been doing for a few years now, although my students in my new town, of course, have not experienced it yet.
  • Afterwards, we had a little reception with cupcakes, a Kit Kat piano (a la Pinterest), and cheese n’ crackers.

I don’t think I can share video of the recital since the pieces performed are under copyright, but I hope to share a photo slideshow soon!

Do you all have Spring Recitals coming up?  I like holding mine early in the Spring because May and June are such a busy months.

Ear Training, Early Childhood Music, Performances, Printables

Listening Sheet for Young Students

As I mentioned last week, during my recent Piano Party/recital rehearsal I gave a listening sheet to my young beginners to complete as they listened to their fellow students perform.  Here’s what it looked like:

I put each sheet in a plastic sheet protector and gave them a dry erase marker with a piece of felt so they could re-use the sheet for each piece they heard.  It worked pretty well — my students were very attentive and really liked telling me about what they circled between pieces!

This worksheet would also work well for private lessons or group classes with beginner students to use while listening to recordings — like Carnival of the Animals, or whatever.

I do wish the sheet protector cleaned off a little better.  The ones I used have kind of a matte surface…maybe I need to get some of the thicker, shiny ones?  Or try laminating?

Anyway, my students really enjoyed this listening sheet!  I found the clip art on some various public domain clip art sites.  You could easily design your own the same way.  Or if you’d like to download mine, visit the Printables > Worksheets page and scroll down to the L’s for “Listening Sheet for Young Students.”

P.S.:  As requested, I added a page to the Rhythm Value Cards pdf: three beamed eighth note cards for use in compound time signatures.  (Thanks for catching that, Bee!)

repertoire / methods, Reviews

Review: Daniel McFarlane’s Repertoire for Students

Australian composer Daniel McFarlane has composed a number of student-level repertoire books which are available on his website.  Daniel was kind enough to send me digital copies of his books so I could review them here.

In appearance, all of Daniel’s books have easy-to-read scores with no illustrations.  The titles of each piece are in fun fonts depending on the subject of each piece.

All of Daniel’s books can be purchased in hard copies or as digital copies (be careful that you’ve selected the right one when you check-out! The digital ones clearly say “Digital Edition” in the title, and allow for one print-out of the book).  The prices for the music of Daniel’s website are in Australian dollars.  Daniel assured me that when you check-out, the conversion to your currency would be made properly.  The current rate of AUD compared to USD is about 1:1.

Soundscapes Book 1

The pieces in Sounscapes Book 1 have a pop-ish and almost rock music sound to them, while retaining elements of classical music and good educational writing for students.  The pieces feature repetitive patterns and chord progressions, catchy tunes, lyrical RH melodies, syncopated rhythms, and repeated LH notes.

I would use this book with an early intermediate student (probably no younger than age 9) who has good technique and an excellent sense of rhythm.  It could also be a great option for teenagers or adult students at that level of playing.  The pieces are very appealing in sound and would be a great option for boy students.

As you read this review, open another window and listen to the pieces hereContinue reading “Review: Daniel McFarlane’s Repertoire for Students”

Games, Group Classes

Piano Party Success!

On Saturday, I held a Piano Party for my students.  It was basically a group lesson and rehearsal for our Spring Recital which is coming up in a few weeks.  Most of my students have never met each other, so this was a good opportunity for them to learn a little about each other and to share their pieces.  I’d like to hold group lessons more regularly now that I have enough students to do so…..so this was a good start!

Here’s what we did:

  • We started by introducing ourselves to each other.  Then I expressed how excited I was for them all to be here.  (My philosophy is that if you want your students to be excited about being there, than you’d better show some enthusiasm yourself too!)  🙂
  • Together, we completed the Performing at the Piano worksheet which discusses performance etiquette and more.  Continue reading “Piano Party Success!”
Group Classes, Music Theory, Teaching Piano, Worksheets

Music Worksheet: Identifying Space & Line Notes on the Staff

Here’s a new free music worksheet that I just added to the Printables page:

This worksheet introduces the idea of identifying the space notes on the staff using the mnemonics FACE and All Cows Eat Grass.  These are the only two mnemonics I use.  I don’t teach separate mnemonics for the line notes anymore (like Every Good Boy Deserves Fudge or Great Big Dogs Fight Animals) because it’s simply too much to try to keep 4 different mnemonics straight!  I have found that it’s easier for students to remember just two mnemonics and then learn to jump up a step from the nearest space note to identify a line note.

To download, visit the Printables > Worksheets page and scroll down to the I’s for “Identifying Space & Line Notes on the Staff.”  Enjoy!

  Identifying Space & Line Notes on the Staff worksheets (170.6 KiB, 57,515 hits)

Conferences, improving as a teacher, Professional Development

Forum Q&A | Attending Conferences

The last Forum Q&A post was about assignment notebooks/pages for students.  It was wonderful to read all the great responses!  Click here to read the comments, and click here to read my follow-up where I share my method of tracking assignments.

Being able to attend state and national-level conferences is one of the many benefits of being a member of MTNA (Music Teachers National Association) and other professional music organizations.  I am a firm believer in the importance of ongoing professional development for piano teachers (and any teachers, for that matter).  So, today’s Forum Q&A is all about conferences!

To you, what is the most valuable part of attending conferences?  What tips do you have for making conference attendance more affordable and feasible?  If you haven’t attended conferences regularly/before, what’s holding you back? 

Please leave your thoughts in the comment section below!

Composition, Conferences, Music Camps

MTNA 2012 Conference | Session on Composition Camps

The last session of the conference I attended was a wonderful one!  It was called:

Get Out of That Musical Box: Teach Students How To Compose!

Dianne Higgins gave a delightful presentation about the summer composition camps she holds each year.  It has been a great success even since the first year she tried it!

The first year, Dianne emailed her students and friends to ask for donations of keyboards, headphones, computers, and other equipment she would need.  She was surprised with the response she received, and only had a few things left to purchase.  Over the years, she has upgraded her equipment and now has 5 computer stations with small MIDI keyboards, and some keyboard/headphone stations too.  She has a separate room in her house for these stations.   Continue reading “MTNA 2012 Conference | Session on Composition Camps”

Conferences, Professional Development, Studio Business

MTNA 2012 Conference | Getting Started With Online Marketing

On Monday of the conference, I attended the Faber Exhibitor Showcase and the Keynote Address given by the wonderful Benjamin Zander!  Natalie has already posted notes on these sessions that are very similar to mine, so I’ll let you read her summaries here and here.

The next session I attended was given by the MTNA Collegiate Chapter at Butler University called:

Getting Started With Online Marketing

The presenters began by stating: “First impressions are everything!”  Nowadays, that first impression is often online.  We need a good first impression so that it will turn into a phone call.  Continue reading “MTNA 2012 Conference | Getting Started With Online Marketing”