Group Classes, Teaching Piano, Worksheets

Worksheet: About the Piano Scavenger Hunt

Last Saturday, I held the last Piano Party (monthly group class) for the school year.  Our theme was to talk about the piano as an instrument: how it makes sound, types of piano, why the piano must be tuned, etc.

Here is a simple worksheet I used at the beginning of class to kick things off:

Piano Scavenger Hunt worksheet

I allowed students to work alone or in groups to complete this worksheet.  I told them they could get up and go to the piano to answer the questions if needed.

I think this worksheet would be a fun activity for a private student’s first lesson as well!

Download the free PDF by visiting the Printables > Worksheets page and scrolling down to “Piano Scavenger Hunt.”

Announcements, Professional Development

Announcing: Piano Teacher Institute with Joy Morin

I received nearly 300 responses to my survey about offering an online piano course for piano teachers.  I was so encouraged by your comments that I immediately began writing the course material to be able to offer a 6-week course this summer.  Thanks so much for your feedback!  I am SO excited about this endeavor.

Here is the official announcement:

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Here is how the online course will work:

  • Registrants will receive a username and login to the course page.  Each week on Sunday, new coursework is added to the website.  Each week’s material will focus on a different topic.  After downloading the PDFs, you can study the coursework from your computer or tablet.  Many supplemental PDF examples, forms, and other resources will also be available for download.
  • Completed assignments can be emailed to Joy if you are interested in receiving feedback.  All assignments are optional, allowing you the flexibility to decide how your time is best spent.
  • Every Friday during the course, you will be invited to participate in a live video chat via Google Hangout.  This is your chance to ask questions and interact with Joy and others who are taking the course.  (Non-registrants are invited to observe the Google Hangout occurring live from Joy’s YouTube channel, or watch the recorded video afterwards.)
  • A forum will be available on the website, allowing you to post questions or participate in discussions with other registrants at any time.

2014-Summer

This summer’s 6-week course is intended for piano teachers seeking to learn more about business topics, piano methods, pedagogy, and much more.  This jam-packed course is perfect for the new piano teacher as well as for the experienced piano teachers who looking to revitalize their teaching.  You won’t be disappointed!

Here is the list of weekly topics I hope to cover between June 9 – July 28:

  1. Business Sense — business structures, bookkeeping, taxes, marketing, and more.
  2. Developing Music Literacy in Students — teaching objectives, learning styles, and a history and overview of current piano methods.
  3. Finding and Choosing Repertoire — leveling, publishers, anthologies, and more.
  4. Lesson/Curriculum Planning — leading the lesson, making assignment sheets, and planning long-term for students.
  5. More info coming soon!
  6. More info coming soon! 

The dates and topics are somewhat tentative and the cost has not yet been set.  Please stay tuned as the details continue to fall into place.  🙂

Registration opens in May and will be open to only 10 teachers (I want to be sure to have time to give feedback to all the registrant’s assignments. I will probably offer the course again in the Fall if there is enough interest.).  Visit institute.joymorin.com to learn more and sign-up for the email list for the latest updates about this course and future courses.

Rhythm

Now Available: Rhythm Cards Level 3

Over the past few months, I have received many inquiries asking when the Level 3 Rhythm Cards will be available in the Shop.  I am so pleased to announce that they are here

As with the other items in my Shop, the rhythm cards are a PDF download that includes the license to print from the PDF as much as desired for use with your own students.  The Level 3 PDF contains 22 pages of rhythm cards (5 on a page), for a total of 110 cards.  These cards work great for a variety of games (such as Swat-A-Rhythm, the Rhythm Train Game, or the BANG! game) and also work well to send home with students as part of their weekly assignments.

Each card contains a three- or four-measure rhythm example.  The rhythm examples in Level 3 use ties, sixteenth rests, and various combinations of sixteenth notes with eighth notes.  The time signatures used are 3/4, 4/4, 6/8, 9/8, and 12/8 time.

Rhythm Cards, Levels 1-3

Continue reading “Now Available: Rhythm Cards Level 3”

Group Classes

March 2014 Piano Party: Master Class

My students are currently preparing pieces for a local Ribbon Festival as well as my studio’s annual recital.  (I always hold my Spring recital in March or April — I think May gets too busy!)

In order to help prepare them for these events, I decided to ask my friend, Loretta, to give a master class for my students during our “Piano Party” group class this month.  Loretta and I became friends during grad school while earning our pedagogy degrees.  She currently runs a multi-teacher studio in Lansing, Michigan.

Loretta loved the idea and asked if I would give a master class for her students in return.  It turned out to be a great exchange and a very positive experience for all of our students!

Here is a group photo of me with some of Loretta’s students after our master class:

DSC_20140223_145719_2 Continue reading “March 2014 Piano Party: Master Class”

Music Camps

Offering Summer Music Camps for Piano Students

Are you thinking about holding any camps/workshops this summer?  Here are some great reasons to consider holding camps:

  • It allows you to reinforce concepts or cover topics that are difficult to cover during private lessons.  E.g., music history, rhythm, improvisation, composition.
  • It is a great way to build camaraderie among your students.
  • It allows you to have a different/lighter teaching schedule during the summer if you desire.
  • It creates the possibility of increasing your income during the summer months.

Here is what I do during the summer months.  This is pasted directly from my Studio Policies:

Summer Months: During the summer months (June _ through August _), private students are expected to continue taking lessons; however, they have two options: 

  1. 5 lessons scheduled as convenient for the student and teacher, plus all two 4-day summer camps (one each in June, July, and August).  Each camp meets from 10-noon Monday through Thursday.  Summer camps themes vary each year, but may include Musical Olympics, Music History Blast From The Past, Music of the World, etc.  
  2. Or, students may continue weekly lessons (10 in total) as normal.  Students who choose this option may also participate in one or more summer camps for a nominal fee.   

Not only does the teacher feel strongly about the value of continuing the student’s musical education throughout the summer months, but the teacher’s livelihood depends upon a regular income throughout the summer months because the tuition rate has been determined based on a 12-month calendar.  For these reasons, if a student does not continue lessons through the summer, the student unfortunately cannot be guaranteed a spot in the schedule in the Fall especially if there is a waiting list.  

For either option, students are expected to continue paying the flat monthly tuition rate.  This system has worked very well for the past two years and I plan to do it again this summer (2014).

Things to consider as you are planning your camp:

  • How long do you wish for it to last?  Examples: 4 consecutive days for 2 hours each day; or 5 hours in one day; or 6 Tuesdays for 1 hour each day.
  • What is your ideal number of participants?  What is your minimum and maximum number of participants to make it worth your time?  Personally, my range is 4-10 but my ideal group size is 6 or 8.
  • Consider how much you’d like to get paid as a minimum hourly wage during the camp.  Also consider your time involved in all of the preparations beforehand.
  • Choose a theme/topic.  Consider what kind of curriculum you will use — will you write your own lesson plans or buy them?
  • Make a list of all of the materials you will need and total the expenses.  Examples: paper, printer ink, glue, scissors, food for snacktime (or you could ask students to pack their own snack/lunch), game materials, pencils, crayons, craft supplies, etc.
  • Price your camp so that you will be profitable even if you have the minimum number of participants sign up.   Research what it costs for students to attend other types of camps in your area.

Setting Tuition

Be sure to crunch the numbers for a different scenarios until you find a tuition rate that is profitable for your business but also reasonable for your students.  For example…

Scenario 1: Let’s suppose you charged $100/student for an 8-hour camp (4 days, meeting 2 hours each day).

  • If you have 4 students attend and the expenses totaled $100, you would make $300.  If you divide this by the 8 hours of contact time with the students, you are earning only $37.50/hour (not including prep time).  [As with all of your income, of course, you will lose between 20-30% of your income to pay self-employment taxes.]
  • If you have 6 students attend and the expenses totaled $100, you would make $500.  If you divide this by the 8 hours of contact time with the students, you are earning $62.50/hour (not including prep time).
  • If you have 10 students attend and the expenses totaled $100, you would make $900.  If you divide this by the 8 hours of contact time with the students, you are earning $112.50/hour (not including prep time).

Looking at these numbers, I would probably decide that this tuition rate is not profitable in the event that only 4 students register.  Therefore, I would either set my minimum number of students to 6 (which means risking that I might have to cancel the whole thing if I don’t get 6 registrants), or set a higher tuition rate.

This is just a scenario for how you might go about deciding what rate is right for you and your area.  I’m not trying to suggest a particular tuition rate, but rather show you how to think through the numbers.  🙂  Here is another scenario.

Scenario 2: Let’s suppose you charged $60/student for a 4-hour workshop (1 day).

  • If you have 4 students attend and the expenses totaled $75, you would make $165.  If you divide this by the 4 hours of contact time with the students, you are earning $41.25/hour (not including prep time).
  • If you have 8 students attend and the expenses totaled $75, you would make $405.  If you divide this by the 4 hours of contact time with the students, you are earning $101.25/hour (not including prep time).

As you can see, the success of your camp depends largely on how many students will register!

If you are thinking of holding a camp for the first time and are looking for an easy, complete curriculum, I would highly recommend holding a music history camp using my lapbook curriculum, “Great Composers and Their Music.”  Read more about Music History Camp here.  The curriculum is ready-to-go and students absorb SO much information when they learn through lapbooking.

Other camps I’ve offered in the past include So, You Want To Be A Composer?, Music of the World, and Musical Olympics.

Please share your thoughts about how to plan special camps/workshops in the comments.  I would love to hear from you!

Announcements, repertoire / methods

Red Leaf Pianoworks

2014 Red Leaf Pianoworks Ohio flyer copyI love the internet.  Without it, I would have far fewer friends and contacts in the piano teacher world, wouldn’t you?

A few months ago, I connected with Canadian piano teacher and composer, Martha Hill Duncan.  She stated that she would be in my area in February during her husband’s sabbatical and so I asked if she would be willing to give a presentation about the music of Red Leaf Pianoworks at my home.  She said yes!

If you aren’t familiar with Red Leaf Pianoworks — It is a group of Canadian composers who collaborate to promote their self-published piano compositions. They have a website here and you may have seen them in the exhibit hall at conferences such as MTNA or NCKP.

Martha talked about the composers behind Red Leaf Pianoworks and demonstrated samples of their music for us.  It was fun to learn a little about each person and get a taste of each person’s unique musical voice.

  • Janet Gieck
  • Rebekah Maxner — (Remember my review of Rebekah’s book, “Madge’s Notebook“?)
  • Martha Hill Duncan
  • Beverly Porter
  • Susan Griesdale
  • Teresa Richert
  • Joanne Bender
  • John Burge

One of the things I noticed as I was listening to the pieces was how teachable the pieces were, while at the same time requiring students to get out of the typical five-finger positions that many American piano methods promote.  I am always on the lookout for supplemental books that get students moving around the keyboard more.

Martha and my colleague try out a piano duet.

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We had a lovely morning.  Afterwards, Martha, her husband, and I went out for lunch.

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Be sure to check out the Red Leaf Pianoworks website here.

One of the questions I asked Martha was whether the Red Leaf Pianoworks has considered selling individual pieces as a PDF download from their website (and with the license for unlimited studio use — I love that!).  She said they haven’t talked about it much but may consider it for the future.  If this is something you would be interested in, leave a comment below to give Martha some feedback about this!  I’m sure they would appreciate hearing from teachers.

Announcements, repertoire / methods

Field Trip to the Faber Piano Institute

Did you know that the authors of the Piano Adventures method, Nancy and Randall Faber, live in Ann Arbor, Michigan?  Did you know that the Faber Piano Institute in Ann Arbor is only an hour away from where I live?!

My local MTNA chapter, the Wood-Ottawa Counties OhioMTA, organized a field trip for us to visit the Faber Piano Institute last Friday.  We had a fantastic time.  The Fabers and their staff were most welcoming and hospitable.

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The Faber Piano Institute is located in a building that previously was a library.  They created smaller rooms for teaching studios in one half of the building.  There are around seven teachers who give lessons at the Faber Piano Institute.  Continue reading “Field Trip to the Faber Piano Institute”

Games, Studio Business

Organizing Games

One of the questions that arose during the presentation about music games (see the handout here) that I gave last week for the Summit County OMTA chapter and at the 2014 MusicEdConnect.com conference was…

How do you organize your games?

You may remember some months back when I blogged about finding this little filing cabinet at a second-hand store.  Here is how I decided to use all those wonderful drawers:

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Those drawers contain materials for games that can be played during private lessons with students.  It sits next to me where I teach at the piano.  The six drawers are currently categorized:

  1. Office Supplies — colored pens, Post-It notes, notepads, etc.
  2. Props/Improv [pictured below] — Japanese puzzle erasers, various props for teaching hand shape, Rory’s Story Cubes (thanks goes to a reader who recently sent me the “Action” set from my Amazon wishlist!), and the Flashcards for Composition/Improvisation.
  3. Rhythmrhythm cards, Rhythm Train Game, Rhythmic Value Cards, etc.
  4. Note I.D.musical alphabet word cards, spinners, note-naming flashcards, etc.
  5. Intervals/KeysIce Cream Interval game, keys, key signature flashcards, etc.
  6. Dry Erase Markers — At group classes, we use dry erase markers and mini erasers frequently for our listening sheets.

You’ll notice that these categories align with the concepts listed in the handout.  Games are most effective when we are choosing them in terms of the concepts they teach our students.

Here is the Props/Improv drawer:

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In the little black drawstring bag, I have a set of Scrabble tiles containing only the letters of the musical alphabet.  I bought my Scrabble game used at Goodwill.  I use the tiles as another way for students to randomly choose a letter of the musical alphabet (we sometimes use a spinner instead).  They work great for The Amazing Keyboard Race, for example.  Students can also sort the tiles onto the piano keys.

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In the drawers across the room, I store my floor staff and the games that work only for group classes. 

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Please feel free to share in the comments about your organizational system!

P.S.:  The live sessions may be over, but it’s not too late to register for the 2014 MusicEdConnect.com conference and have the opportunity to watch the session videos on your own time.  Visit their website for more info.

Games

Games Handout

I recently gave presentations about music games to the Summit County OhioMTA and the MusicEdConnect.com conference.  I thought perhaps some of you might be interested in seeing the handout, which I have posted here on my personal website, joymorin.com.  The links in the handout all lead directly to the games and printables being discussed. Enjoy!

Preview:

Building Musicianship Through Games & Activities

by Joy Morin

INTRODUCTION:

  • Why use games?
  • When to use games?

*  *  *  *  *

PART I:  Considering the facets and goals of a teacher’s Teaching Philosophy.

The Teaching Philosophy states (1) the teacher’s GOALS for him-/her-self and the students, as well as, (2) HOW the teacher will lead students to achieve those goals.

Comprehensive musicianship involves:

  • Sight-Reading
  • Rhythm
  • Music Theory
  • Music History
  • Playing/Harmonizing by Ear
  • Improvisation/Composition
  • Memorization
  • Effective Practicing

PART II:   Examples of games and activities that will help you accomplish the goals in your Teaching Philosophy.

Concept: MUSICAL ALPHABET

  1. Musical Alphabet Card Snakes – Students sort their cards in order and say musical alphabet forwards/backwards.  Have students identify which card is missing.

Concept: KEYBOARD TOPOGRAPHY

  1. Black Key Sorting Cards – Build the keyboard using these cards.
  2. Find That Piano Key game – Ask student to play 3 different C’s, etc.  Can be played in a Round Robin version with a pair or group of students.  Use spinner or alphabet dice.  Can be done on the keyboard or on a paper keyboard in groups.
  3. Amazing Keyboard Race – You need a game token for each player and a way to randomly choose letters of the musical alphabet (Scrabble tiles, spinner, or dice). Play it at the piano or use a paper keyboard. On your turn, get a random letter and move your token to that key.  Take turns and race to get to the top.
  4. Spell-A-Keyboard game – Works great on the piano, a paper keyboard, or a floor keyboard (chalk outside).  Students spell the words from the cards by marking the corresponding piano keys.  Works great in the lesson or in small group settings.

Read the rest here!

Reviews, Technology

Review: Oontz Angle Bluetooth Speaker

For Christmas, my husband gave me this handy little speaker: the Oontz Angle Wireless Bluetooth Speaker.

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In the past, I always plugged a pair of old computer speakers into my iPhone, iPad Mini, or computer when I wanted to play music during lessons, group classes, or while cleaning the house.  🙂  They worked okay, but I found that if I turned the sound up too loud, the sound became distorted.

I am so pleased with this handy little speaker because I can turn the sound as loud as I need too without hearing distortion.  I’m very pleased with the quality of the speaker!

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And, of course, it is handy that it is wireless.  It connects via a bluetooth connection.  Pairing the speakers to a device only takes a minute.  Plus, it remembers what device you paired it with last and will automatically connect to that same device if both are turned on.  I’ve owned bluetooth devices in the past and they did not connect this easily.  Technology has certainly improved.

It comes with a USB cable so that you can recharge the battery by plugging it into your computer.  The battery can last for up to 10 hours of playing time.

Just thought I’d share about this fun little gadget!  Did you receive any Christmas gifts that have been useful for piano teaching?  If so, please share about it in the comments!