Category: Rhythm

Early Childhood Music, Games, Group Classes, Music Camps, Printables, Rhythm, Teaching Piano

Just Added: Rainy Rhythm Game

Joy Morin

I’ve mentioned before that during grad school, I took an Early Childhood Music course.  One of the things we discussed was using the “sound before sight” philosophy – where the student is exposed to and experiences the concepts before being taught the name or the written notation.  I’ve been doing my best to use this philosophy of teaching music with my Piano Readiness students.

I was reminded of a raindrops & rainbows rhythm game one of my classmates created for an assignment during that course when I saw Anne Crosby’s recent post, which mentioned an activity involving finger-painting raindrops/rainbows.  It immediately occurred to me that the girls in my Piano Readiness Class would LOVE a game involving rainbows, so I put together this printable.  It’s nothing groundbreaking; I’m sure teachers before me have done similar things.  But hopefully this printable might be as useful and convenient for some of you as it was for me!

Continue reading “Just Added: Rainy Rhythm Game” →

Rhythm, Teacher Feature

Teacher Feature | Mariel Mohns

Joy Morin

It’s halfway through the month already, which means it’s time for a…

Teacher Feature!  🙂  Meet Mariel from Mississippi!

Please tell us about your piano and/or teaching background!

I started taking piano lessons when I was 4 years old and loved piano, but when I was in the 5th or 6th grade, I quit lessons for various reasons.  I continued to play through middle school and high school, and started working on more advanced repertoire on my own.  Since I didn’t have a teacher, however, my technique was very limited.  I was accepted into the Lawrence Conservatory of Music for college, and with the help of my very understanding studio professor, learned proper technique skills I needed to really develop as a pianist.  During my freshman year of college, I taught a few students and HATED it. I never wanted to teach again (I didn’t have the patience for it), but after taking the piano pedagogy courses in college and learning how to formulate lesson plans and a bit more about childhood education, I absolutely fell in love with teaching and knew I wanted to start a private studio!!  Continue reading “Teacher Feature | Mariel Mohns” →

Questions, repertoire / methods, Rhythm, Teaching Piano

Q&A Forum | Rhythmic “Simplification” in Arrangements of Familiar Tunes

Joy Morin

For last week’s Forum Q&A, I broached a few questions about memorization and many of you left comments regarding whether or not to require memorization for performances within your studio — but not many of you addressed my initial question about whether you consider the skill of memorization is essential to piano playing (i.e., do you think it is necessary/required for concert pianists to play by memory?  Why or why not?).  I discussed this topic further in yesterday’s post, which you can view here.  As always, it’s never too late to add your thoughts to this ongoing discussion.  =)

Today, however, marks the introduction of a new topic for discussion:

Many popular piano methods today include (as they should) arrangements of familiar tunes for students to learn.  This is great, because many students LOVE learning how to play tunes they are familiar with!  (Side note: click here to view a post regarding some thoughts on what makes a great piano method.)  However, these arrangements sometimes present a problem:

Oftentimes in arrangements, the rhythm of the tune is altered and “simplified” in order to accomodate the rhythmic values that the student has/hasn’t learned yet.  This is all fine and dandy, but as a teacher, what do you do when a student comes back the next week playing the rhythm “wrong”?

To give one example that frequently occurs with beginner students, I’ve heard many students return playing the rhythm of “Ode to Joy” with dotted-quarter-eighth rhythms instead of playing all quarter notes (despite the fact that we sightread it together with the rhythm as written).  How do you handle this situation: do you “fix” the student’s rhythm to match what is on the page even though it goes against their intuition, or do you “let it go?”

I’m sure many of us piano teachers have been in this situation before!  Share your experiences in the comments below.

Photo Credit: Rick Harris | CC 2.0

Ear Training, Games, Group Classes, Music Camps, Printables, Rhythm

Just Added: The Rhythm Magnet Game

Joy Morin

Here’s a fun movement/rhythm game to play with a group of students which I learned from a Dalcroze Eurhythmics instructor.  I call it the “Rhythm Magnet Game.”

The great thing about this game is that it helps students learn to associate the sound/experience of each rhythm value with it’s corresponding notation.  In Dalcroze and other methodologies (such as Orff), it’s important to experience the concept first and then put the notation and term to it.  This is the “sound before sight” principle.

The Rhythm Magnet Game

Background: This game is best intended for young children (preschool to beginner piano students).  Older students, however, may also find this game beneficial as an rhythm ear training experience and a lesson in keeping an internal pulse.  For this activity to be a success, students must have experience with the idea of quarter notes, half notes, dotted half notes, and/or whole notes (but not necessarily with the terms or written notation for each).  This game is perfect activity for teaching little ones to associate each rhythm value to its corresponding notation for the first time.

  1. Prepare by placing the quarter note poster, the half note poster, and the whole note poster at a different corners of the room.  Make a show of it (without much talking) so students watch to see where you are putting each note value.
  2. Instruct students: “Move towards what you hear.”
  3. Help the students establish the beat by patting their hands against their thighs.  Improvise simple ditties/chords on the piano.  Students must listen to identify whether you are playing quarter notes, half notes, etc. to the beat you’ve established with them.
  4. Once the students have moved to the correct corner of the room, change to another note value (with younger children, you may also call “Change!” to help alert them).  When/if students get confused or begin guessing, encourage them to “Find the beat!” so they can figure out the note value.  Continue this process until students get the hang of it.  If students run or get rowdy while moving towards each note value, instruct them to “step the beat” as they move around the room.
  5. Make the game more difficult by adding gradually adding the other note value posters, and by making changes more frequently.  Also, to add a twist mid-way through the activity, try mixing up the posters to new corners/areas of the room.

Students playing this game will soon discover that without checking with the pulse, they cannot determine which note value they are hearing.  This game is a great movement game to get students up and moving during a group lesson!  Have fun!!

To download the rhythm value posters you’ll need for this game, visit the the Printables > Games page and scroll down to the R’s for “Rhythm Magnet Game.”  Enjoy!

Games, Rhythm

Hands-On Beats the Visual….Hands Down!

Joy Morin

My colleague Loretta and I have been teaching a pair of beginner students in a group setting each week.  Last week, we were learning about 3/4 and 4/4 time, and quarter notes and half notes.  Loretta and I wrote rhythms on the whiteboard, asked the students to help us write in bar lines, and then clapped and counted the rhythms together. While this activity worked and was beneficial, what we did this week was much more successful.

On Anne Crosby Gaudet’s website, we discovered her wonderful Music Discoveries Rhythm Blocks pdf.  The pieces are easy to print and cut out.  In class today, our two beginners were so excited to make their own rhythms and try clapping them.  With Ann’s rhythm blocks, it’s easy to tell how many beats each note gets!  Click here and scroll down to view Ann’s printable on her website.

Go figure – give students something hands-on and creative, and they will get more out of it!  (Especially when the students are young beginners!)

What kinds of hands-on activities have you discovered for your students lately?

Conferences, Group Classes, Music Camps, Reading Notation, Rhythm, Teaching Piano

2010 MMTA Conference (4): Functional Skills are Important by Martha Hilley

Joy Morin

What follows are the notes I took from a session with Martha Hilley at the 2010 Michigan Music Teachers Association conference.

FUNCTIONAL SKILLS ARE IMPORTANT TO EVERYONE ~ by Martha Hilley

“Functional skills” include skills such as harmonization, improvisation, transposition, rhythm, and theory.  There are many fun ways to incorporate functional skills into group/private settings.  Today we are going to try out some examples:

Rhythm Activities

Activity #1. Make up a series of patterns such as:

Tap   Clap    Tap    Clap
Tap   Clap  |___|  Clap
Tap  |___|   Tap   Clap
Tap  |___| |___| Clap

Put them on a transparency or write them on a whiteboard.  (The box is the quarter rest.)  Most students don’t have time for rests!  They want to keep going.  So give them something to do during the rests (e.g., saying “rest” aloud; or making some kind of movement during the rest).  This is a great activity for class piano or monthly group lessons. Continue reading “2010 MMTA Conference (4): Functional Skills are Important by Martha Hilley” →

Conferences, Games, Group Classes, Music Camps, Rhythm, Teaching Piano

2010 MMTA Conference (1): Theory & Improv as the PB&J of Music, Part 1

Joy Morin

What follows are the notes I took from a session with Martha Hilley at the 2010 Michigan Music Teachers Association conference.  She shared with us a number of activities that can be incorporated in a variety of settings, whether it be the private lesson, class piano, or monthly group lessons (my summary is posted here with permission).

THEORY & IMPROVISATION: THE PB&J OF MUSIC ~ by Martha Hilley

Introduction

Do you have your students improvise?  Do you improvise?  The biggest reason teachers don’t improvise during the lesson with their students is the giant time factor: we often don’t want to take the time out of the lesson.  However, improvisation can be very effective even with beginners.

Activities:

1. Black Key Improvisation

Use improvisation even with young beginner students.  They often can play rhythms that they can’t yet read, so use improvisation as a way to teach rhythm and technique.  It frees them from the score.  Black key improvisation is especially great because there are no wrong notes!

1) Ask student to put 5 fingers on 5 black keys (any 5).

2) Teacher sets up an ostinato.  Student is instructed first to listen to the ostinato, and then play (immediately after, joining the teacher). Continue reading “2010 MMTA Conference (1): Theory & Improv as the PB&J of Music, Part 1” →

improving as a teacher, Practicing, Rhythm

Teaching Tip: Count Like a Musician!

Joy Morin

At the 2010 Michigan Music Teachers Assocation conference this weekend, our conference clinician Martha Hilley had some wise words for us that I thought I’d share here:

Always be a musician, even when you are counting aloud!

As she led us through some various exercises during one of the sessions, Martha Hilley encouraged us to use vocal inflection to show musical direction — even when it’s just simple rhythms or melodic lines.  And, of course, this tip applies to our students: encourage them to be musical counters too!

Here’s to trying to use more vocal inflection when I count aloud with my students this week, and hoping that my musical counting will rub off on their playing!  =)

Stay tuned – more summaries of the conference are on the way!

Photo Credit: Pink Sherbet Photography | CC 2.0

Early Childhood Music, Group Classes, improving as a teacher, Rhythm

Developing a Good Sense of Rhythm

Joy Morin

Developing a good sense of rhythm is one of the most challenging parts of being a piano teacher.  It’s not something that arrives overnight, and it’s something that must be maintained as the student advances to music with more advanced rhythms and time signatures.  It truly is something that must be developed.

I’d like to suggest that there are three components to having and developing what we so loosely refer to as a “good sense of rhythm”:

  1. A sense of beat. This means the ability to maintain a steady beat/pulse.  This is probably the most common and most basic problem that students encounter when it comes to rhythm issues in their piece.  The inability to maintain a steady beat/pulse is crucial for developing #’s 2 and 3 below.
  2. A sense of rhythm (i.e., note values).  This involves being able to accurately identify and execute the various note values within a variety of tempi.  Beginner students may struggle with placing eighth notes within a quarter note beat, while more advanced students may struggle with syncopated rhythms or playing 2 against 3.  It is nearly impossible to develop a sense of rhythm without first developing a sense of beat (#1 above). Continue reading “Developing a Good Sense of Rhythm” →
Ear Training, Games, Group Classes, Music Camps, Music Theory, Printables, Rhythm

Music Theory at our Piano Mini-Camp (3/3)

Joy Morin

In continuation of a description of the music theory activities at our Piano Mini-Camp a few weeks ago, here are more details concerning the activities we used:

Rhythm Dictation Game

This rhythm dictation game by Natalie was a real hit with the students!  I printed off two sets of cards and put the students into groups of two so that they could work together.  Here’s how the game works:

  • Instruct the students to sort/spread out the cards on the floor so they can see the different rhythmic value options.
  • Clap a rhythm for the students.  Instruct them to listen and be able to clap it back to you before beginning to dictate the rhythm using the cards.  This may take a few listens before they can clap it back accurately.
  • Tell students to work together within their team to dictate the rhythm using the cards.

I tried to clap rhythms according to the approximate level of the groups of students I was teaching, and increased the difficulty of each rhythm as they became accustomed to the process.  I also tried to vary the time signatures between 2/4, 3/4, and 4/4.  I kept the rhythms to just 2 measures long, unless we were in 2/4 time or unless the students were more advanced.

I think it’s important to have the students be able to clap the rhythm back in its entirety before beginning to dictate it using the cards, because it helps increase their musical memory.  Otherwise, they will dictate only 1 or 2 beats at a time, and constantly be asking you to “do it again!”  If they can remember it themselves, they can then re-clap it to themselves as needed as they work on dictating it. Continue reading “Music Theory at our Piano Mini-Camp (3/3)” →

Games, Group Classes, Motivation, Music Camps, Music Theory, Resources, Rhythm, Teaching Piano

Group Piano Class Ideas

Joy Morin

I recently came across this great video/podcast on Mario Ajero’s YouTube channel: an interview with pianist and piano pedagogue Dr. Julie Knerr.  Both Maria Ajero and Julie Knerr are graduates from University of Oklahoma’s widely recognized piano pedagogy program.  In this video, Dr. Knerr shares some of her game ideas for her group piano classes — which she holds weekly in addition to her student’s weekly private lessons — to build a variety of musicianship skills.  Check it out!

httpvh://www.youtube.com/watch?v=_EbQDrLwkxo&feature=PlayList&p=F4AF6DA098C0399F&index=0&playnext=1

Most of these activities could be easily modified for use during a private lesson, music camp, studio party, and other settings.  You can visit Dr. Knerr’s website at julieknerrpiano.com.  She has recently been co-writing a new piano method series called Piano Safari (as mentioned back in this post) available by order via PayPal at pianosafari.com.

Be sure to also check out more great podcasts at Mario Ajero’s website, The Piano Podcast.

Early Childhood Music, Resources, Rhythm

Babies and Music

Joy Morin

Check out this interesting news article, reporting about a research study done on babies and their response to rhythm versus speech.  Here’s the summary from another site reporting on the same research:

Human infants are born to dance, researchers report online today in the Proceedings of the National Academy of Sciences. Psychologists from the United Kingdom and Finland played an assortment of classical and children’s songs, drumbeats, baby talk, and regular speech for 120 infants ages 5 to 24 months. Speech inspired little motion, but music consistently got the babies into the groove. They moved to music with a clear rhythm and adjusted their movements as the beat varied. And the better the babies matched their motion to the music, the more they smiled. So while it remains a mystery how humans evolved our musical wiring, it’s now clear we enjoy it and always did.  (news.sciencemag.org)

Also see the corresponding video here.

Whether you believe that humans evolved their “musical wiring” or were created with it, this research confirms that humans have some sort of natural inclination towards music, apparent even at the youngest of ages.  It confirms what we as teachers have always known — humans should be developing their musical ability when they are young!

Isn’t it kind of amazing how well those babies in the video have a natural sense of beat?  I wish some of my students could keep a steady beat half as well as the babies in the video!  =D