Conferences

2010 MMTA Conference (3): Classical Improvisation by Brian Chung

What follows are the notes I took from a session with Brian Chung at the 2010 Michigan Music Teachers Association conference.

CLASSICAL IMPROVISATION ~ by Brian Chung

Introduction

Is improvisation really for jazz only?  Why can’t we classical pianists learn improvisation from our own tradition (as did Liszt, Clara Schumann, and others)?

Two goals for today: (1) You can be a capable improviser; (2) You can pass it on to your students. Continue reading “2010 MMTA Conference (3): Classical Improvisation by Brian Chung”

Conferences, Group Classes, Music Camps, Teaching Piano

2010 MMTA Conference (2): Theory & Improv as the PB&J of Music, Part 2

A continuation of the previous post……see Part 1 here.

THEORY & IMPROVISATION: THE PB&J OF MUSIC ~ by Martha Hilley

Activities Continued…..

5. Progression Based Improvisation

1) Show the student a progression such as:

A  |  D  |  A  | Bmin |  E  |  A  |  E  |  A  ||

2) Be sure the students thinks about the relationship between the chords.  Spell each chord together before playing.  Check how many chord tones are in common between each chord, and play the best inversion of the triads accordingly for good voice leading.

Side note: this activity is great to do with groups of students, away from the piano.  Try “playing” this progression moving to the closet inversions on your invisible lap piano.  =) Continue reading “2010 MMTA Conference (2): Theory & Improv as the PB&J of Music, Part 2”

Conferences, Games, Group Classes, Music Camps, Rhythm, Teaching Piano

2010 MMTA Conference (1): Theory & Improv as the PB&J of Music, Part 1

What follows are the notes I took from a session with Martha Hilley at the 2010 Michigan Music Teachers Association conference.  She shared with us a number of activities that can be incorporated in a variety of settings, whether it be the private lesson, class piano, or monthly group lessons (my summary is posted here with permission).

THEORY & IMPROVISATION: THE PB&J OF MUSIC ~ by Martha Hilley

Introduction

Do you have your students improvise?  Do you improvise?  The biggest reason teachers don’t improvise during the lesson with their students is the giant time factor: we often don’t want to take the time out of the lesson.  However, improvisation can be very effective even with beginners.

Activities:

1. Black Key Improvisation

Use improvisation even with young beginner students.  They often can play rhythms that they can’t yet read, so use improvisation as a way to teach rhythm and technique.  It frees them from the score.  Black key improvisation is especially great because there are no wrong notes!

1) Ask student to put 5 fingers on 5 black keys (any 5).

2) Teacher sets up an ostinato.  Student is instructed first to listen to the ostinato, and then play (immediately after, joining the teacher). Continue reading “2010 MMTA Conference (1): Theory & Improv as the PB&J of Music, Part 1”