Conferences, Group Classes, improving as a teacher

2011 OhioMTA Conference (4): Piano Pedagogy 101, by Marvin Blickenstaff

Joy Morin

Here’s another session given by the well-loved pedagogue Marvin Blickenstaff from the 2011 OhioMTA Conference:

Piano Pedagogy 101: Reviewing the Basics

Mr. Blickenstaff introduced this session by commenting that at conferences and workshops, we often hear ideas for teaching intermediate and advanced students, but we don’t very often hear ideas for teaching beginners during that first year of piano lessons.  The purpose of this session to give a refresher of sorts and to provide new ideas for teaching beginners, particularly in groups.

Mr. Blickenstaff basically led us through a series of short activities that he uses during group classes with beginners.  He begins the first few classes with some icebreaker activities that all students can succeed doing.  These initial successes set the tone for the entire year!

Here are a few examples of some of the beginner-level icebreaker activities Mr. Blickenstaff likes to use with his students:

Continue reading “2011 OhioMTA Conference (4): Piano Pedagogy 101, by Marvin Blickenstaff” →

Conferences, Group Classes

OhioMTA Conference (3): Performance Practice Made Easy, by Marvin Blickenstaff

Joy Morin

The next session was given by the fabulous Marvin Blickenstaff:

Performance Practice Made Easy: Rules of Thumb for the Piano Student

As teachers, we are always interested in fostering independence in our students — perhaps most importantly in the aspect of interpretation (making music musical and artistic). This is an elusive thing to teach.  It’s about getting beyond the notes.  It’s taking the dots on the page and transforming them into something that can change our lives.

Mr. Blickenstaff then told us about the Repertoire Classes he holds each week with his private students.  Students must announce their piece, the composer, and give some kind of explanation as to why the composer wrote the piece.  The students listening must take notes on what the performing student said, and also write down how the piece made them feel.   Continue reading “OhioMTA Conference (3): Performance Practice Made Easy, by Marvin Blickenstaff” →

Conferences, improving as a teacher, Professional Development, Teaching Piano

OhioMTA Conference 2011 (2): Toxic or Terrific Teaching by Nicole Biggs

Joy Morin

The next session at the OhioMTA Conference was given by Dr. Nicole Biggs, the new piano professor at Bowling Green State University in my town:

Toxic or Terrific Teaching: Exploring the Strategies that Bring out the Best in our Students

Dr. Biggs began by pointing out that our goal as teachers is to inspire and motivate our students in such a way that they can go on independently without us.  Our goal in effect is to teach ourselves out of a job.

A potential problem for some of us as teachers is that we may unintentionally emulate the teaching models we experienced, whether good or bad.  It’s a challenge, but if we perhaps experienced “toxic teaching” during our own studies, we need to find ways to ensure these teaching strategies don’t filter into our own teaching.  We need to transform any toxic teaching strategies into terrific teaching strategies.   Continue reading “OhioMTA Conference 2011 (2): Toxic or Terrific Teaching by Nicole Biggs” →

Conferences, Reading Notation

OhioMTA Conference 2011 (1): Learn at First Sight by Margaret Young

Joy Morin

The recent Ohio Music Teachers Association conference I attended was wonderful.  I had the opportunity to meet other teachers both near and far from where I am in Ohio, and I also learned a lot!

The first session I attended was an informative presentation by Dr. Margaret Young.  Dr. Young cited a large number of research studies throughout the session and had a two-page bibliography in the handout (!).  I will not be providing those facts and citations here, but rather presenting a summary of some of the points Dr. Young made.  If anyone is interested in more in-depth information about Dr. Young’s session, I’m sure you could contact her and see if she’s willing to share a copy of the handout.  🙂

Learn at First Sight: A Review of the Current Research Literature on Sight-Reading

Dr. Young went through a number of questions, each time answering in detail what the research says about each issue.  Some of the questions were: What does sight-reading involve?  What factors influence or predict sight-reading success?  Continue reading “OhioMTA Conference 2011 (1): Learn at First Sight by Margaret Young” →

Teaching Piano

Easy Black Key Improvisation

Joy Morin

Today, I’m at the Ohio Music Teachers Association conference (affiliated with MTNA) all day!  Yes, in case you are wondering, I will be posting notes from the sessions I attend later this week.  🙂

But for now, I wanted to share a quick video of a black key improvisation from a recent piano lesson with one of my new students.  This is only the third time we’ve tried an improvisation together, and each time I’ve noticed that Andelus instinctively creates a motif or theme that she uses throughout the improvisation, which is great because it creates a natural sense of unity for the composition!  (Great job, Andelus!)

For this improvisation, the only discussion beforehand was “You may play any of the black keys,” and “Let’s make a happy, upbeat improvisation!”  Enjoy!!

httpv://www.youtube.com/watch?v=QmO8C9QZL30

Continue reading “Easy Black Key Improvisation” →

Performances, Teacher Feature

Teacher Feature | Shauna Leavitt

Joy Morin

October is here, and so is another Teacher Feature!  Meet Shauna from the Leavitt Piano Studio in Viginia!

Please tell us about your piano and/or teaching background:

Background:  I started teaching when I was 16 with the assistance of my mother who runs a successful piano studio in Utah.  I taught upstairs while she taught downstairs and whenever I needed help, she was always there to mentor me along.  I was fortunate to grow up near Brigham Young University where I studied with wonderful Professors there (Dr. Douglas Humpherys and Dr. Robert Smith).  When I started attending Dr. Humpherys’ weekly college master-classes, I knew that I wanted to be a piano major when I went to college.  Continue reading “Teacher Feature | Shauna Leavitt” →

Words of Wisdom

Wednesday’s Words of Wisdom

Joy Morin

From Mr Holland’s Opus:

Vice Principal Wolters: “I care about these kids just as much as you do. And if I’m forced to choose between Mozart and reading and writing and long division, I choose long division.”
Glenn Holland: “Well, I guess you can cut the arts as much as you want, Gene. Sooner or later, these kids aren’t going to have anything to read or write about.”

Every Wednesday brings Words of Wisdom here at the Color in my Piano blog in the form of a musical quote or joke, intended to bring inspiration or humor to the middle of your week. Have suggestions? Send an email off to admin[at]colorinmypiano.com.

improving as a teacher, Studio Business, Teaching Piano

Forum Q&A | The Role of the Parent

Joy Morin

I apologize for being a bit MIA around the blog lately.  I have a couple of projects that I am working on right now for my local MTNA association.  One of them is designing a website.  It’s about half-way done and if you’re interested in taking a sneak peek, you can click here to see it.  🙂

Anyway, our last Forum Q&A was a discussion about accepting and then teaching adult students at the students’ homes.  We also hit on a few other situations, like females teaching male adult students at the teacher’s home.  There was a good overall consensus about handling such situations.  It’s so great to get advice and support from others, so thank you all for your contributions to the discussion!  (As always, it’s never too late to comment if you haven’t already!)

Here’s the question for today:

What is the ideal role for the parents when it comes to piano lessons?  If a parent asks about what they can be doing to help and support their child, what is your answer?  Do you require or encourage parents to sit in on lessons?  Do you require parents to help young beginners practice?  Do you hold yearly or semesterly meetings with parents to discuss progress?  

Leave your thoughts in the comments below.

Photo Credit: woodleywonderworks | CC 2.0

Memorization, Practicing

Practicing, Learning, and Memorizing for Piano Teachers

Joy Morin

I’ve blogged before about my thoughts on and struggles with memorizing music.  I can definitely see improvement over my college years as far as successful memorization goes, but I admittedly still find it discouraging.  I think what makes it frustrating for me is the fact that sight-reading is so easy for me, and memorizing is so not easy.  🙂

Some days, I feel like I’ve finally find a method for this memorizing madness, and other days, I feel so far away from reaching a dependable process!  A few weeks ago, I made the decision to when practicing, only “learn” as much music as I can also memorize during the same sitting.  During some practice sessions, I only learn 4 or 8 bars.   On a good day, I can learn a whole page of music.  It’s slow, tedious work, but I looking forward to seeing the results of this experiment once I finish a few pieces using this method.  (It will be awhile.)

So, I’m curious — what do other teachers do?  First, do you find it difficult to find time to practice regularly?  Do you make it a priority to continue learning new classical repertoire?  Do you find opportunities to perform solo classical repertoire, or do you learn it only for your own enjoyment and personal development?  Do you memorize?  HOW do you memorize?!  🙂

Photo Credit: MaltaGirl | CC 2.0