Color In My Piano

MTNA 2015 conference notes continued…

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8:00–9:00 a.m.: Exhibitor Showcase by The Royal Conservatory: Teaching Sight Reading, Improvising, Arranging and Interpreting–In Every Lesson! by Forrest Kinney

Forrest Kinney is an engaging speaker with a great sense of humor! His session was a lot of fun. Forrest talked about his ChordPlay series, Pattern Play series, some of the 2015 RCM Syllabus changes, and his participation in revising the new 2015 editions of the Four Star Sightreading and Ear Training books.

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9:15–10:15 a.m.: Seeing Is Believing: Using Visual Tools To Engage, Create And Motivate, by Andrea J. McAlister, NCTM

Andrea began by asking: Why visual learning? Research suggests that most learners are visual learners — perhaps up to 83% of us. Andrea suggested, however, that rather than over-focusing on learning styles, we need as teachers should be most interested in student engagement.

The development of drawing is similar to the young child’s experience with the piano. Age 2, scribbles. Age 3-4, they start creating butterflies with the high sounds, and dragons with the low sounds. At age 6, we start to take away drawing — but maybe we shouldn’t. Doodling gets a bad rap, but it’s quite beneficial. You can doodle through drawing, moving, or making music. It’s spontaneous. Doodling might increase engagement.

Activity: Andrea played a short ABA piece as we drew on paper with crayons. Everyone’s drawing or interpretation was different. As Andrea demonstrated, there are many possible ways to combine art and music.

Throughout her session, Andrea suggested a variety of ways teachers can integrate more visuals in their teaching. One practical idea is to allow for student assignments to be student-drawn. Student assignments can be notated often more simply and interestingly through drawings/doodles instead of words. Allowing students to write requires more time initially, but it saves more time in the long run because students are learning to solve their own problems.

This was a fun and engaging session!

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10:30 a.m.–12:00 noon: Advanced Piano Master Class with Lang Lang

Lang Lang unfortunately arrived a half hour late for the masterclass session, so the sessions with each college student were rather short. However, it was quite interesting to watch him coach the three students.

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2:15–3:15 p.m.: New Wine In Old Bottles: The Piano Nocturnes of Lowell Liebermann, by Karen Kushner; Diana Helfers Petrella; Jane Solose, NCTM; Robert Weirich; from U of Missouri-Kansas City.

In this session, UMKC faculty described a recent project they completed with their piano majors: learning the nocturnes of Lowell Liebermann. As part of the project, Liebermann himself visited UMKC to give a masterclass. UMKC students were present to demonstrate and perform some of the nocturnes for us. They also described the positive impact of the experience of learning new, non-standard repertoire and interacting with the composer. A handout was provided that leveled the nocturnes and gave brief descriptions of each piece. It was neat to hear unfamiliar repertoire and hear about the success of UMKC’s project!

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8:00 p.m.: Ann Schein Piano Recital

Later in the evening, we returned for the Ann Schein recital. Ann gave an incredible performance of Beethoven’s “Les Adieux,” Schumann’s Davidsbündlertänze, and the Chopin Sonata No. 3. Her playing is so rich, beautiful, and tasteful. It was a evening to remember!

Index:

• MTNA 2015 (1)
• MTNA 2015 (2)
• MTNA 2015 (3)
• MTNA 2015 (4)
• MTNA 2015 (5)

On Sunday of the conference, I attended the Willis Music and the FJH Music showcases and spent some time browsing in the Exhibit Hall. It is always fun to see what is new in the publishing world for our piano students!

As part of my responsibilities as the current VP of Membership for OhioMTA, I attended the Collegiate Chapters Forum meeting, the East Central Division meeting, and the MTNA Certification Open Meeting throughout the day. I hadn’t attended those meetings before, so it was interesting to become more aware of the inner workings of MTNA and MTNA chapters.

My state chapter, OhioMTA, met for dinner at The Stack, a restaurant instead the Mirage hotel. We had a great dinner and lots of good conversation. After dinner, I went back to spend time with my friend and host, Kristie Smith, for the evening. Unfortunately, I did not remember to take a single photo with her!  🙁  But she was a great host and we had a lot of fun each evening!

On Monday morning, I enjoyed some of the Frederick Harris showcase and some of the Faber Piano Adventures showcase. I didn’t want to miss a thing! 😉

The Plenary Session at 9:15am was “A Conversation With Ann Schein,” who was the guest artist for the concert the following evening. Hearing Ann Schein talk about her childhood, her piano teachers, and her life as a concert pianist was absolutely incredible! She is a wonderfully humble and gracious person, and an incredible pianist as we heard the following evening.

In the afternoon, I attended a really outstanding session given by the MTNA Collegiate Chapter at Brigham Young University-Idaho. It was called: Music á la Mode: Sensory Learning Preferences. The college students gave great information about how to teach in various ways engaging students’ aural senses, visual senses, and tactile/kinesthetic senses. This was probably the best collegiate session I’ve ever heard at an MTNA conference: they were so well-prepared and well rehearsed. 

Stay tuned for more notes tomorrow!

Index:

• MTNA 2015 (1)
• MTNA 2015 (2)
• MTNA 2015 (3)
• MTNA 2015 (4)
• MTNA 2015 (5)

Pedagogy Saturday is usually my favorite day of the MTNA conference and this year was no different. It is always challenging to choose which sessions to attend. I started out attending the Advanced Piano/Teaching Artistry track, and then I switched over to the Young Professionals track after lunch. My own session, “Harnessing the Power of the Internet: Blogging and Social Media for the Musican,” took place during the Young Professionals track at 2:15pm.

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8:00–9:00am: Teaching Demonstration No. 1: Master Class With Alan Chow

The student performed Schumann’s Papillons quite musically and beautifully. Overall in his teaching demonstration, Alan focused on being more true to Schumann’s markings. For example, he suggested that the intro could be more rhythmically accurate, to capture the feeling of the dance. In addition, many of Schumann’s phrases are marked with a crescendo to the end. We must be true to those markings. We can take time when warranted, but perhaps not other times.

Alan’s teaching was full of wonderfully clear directives backed by justifications based on the score or the context of the piece. It was a pleasure to watch his teaching demonstration.

Continue reading “MTNA 2015 (2): Pedagogy Saturday, March 21” →