improving as a teacher, Motivation, Studio Business

9 Ideas for Motivating Piano Students

I’m sure we have all had students who are low on motivation at one point or another.  It’s not always easy to keep students practicing week after week.  To make matters complicated, every student is different: something that motivates one student might not work for the next.

Here are some ideas for increasing motivation among your piano students:

  1. Take lessons yourself. Put yourself in their shoes.  Remember what it’s like to have a busy week and have a hard time finding time for practice?  Remember what it’s like to when your pieces don’t play as well in the lesson as they did at home?  You can be more genuinely understanding and make better suggestions for solutions if you are taking lessons yourself and going through the same situations that they are.  Think you don’t have time for lessons?  Try to find someone who’s willing to take you on every other week or even once a month.  Continuing your own piano lessons will probably benefit you in more ways that you think!
  2. Be sure to give them a good variety of repertoire. Make sure there is plenty of variety in the music they are working on.  Find out what types of music they like.  Supplement their method book(s) with new age piano (think Jim Brickman), hymn arrangements, jazz/blues, pop music, soundtrack/music theater music (think Disney, High School Musical, or Twilight – whatever is currently popular!).  No matter the student, however, I always make sure they are working on something classical too.  There are so many different types of great music within classical music – I truly believe there is something for everyone!
  3. Start an incentive program. Let’s face it: some students can be bribed.  =)  In all seriousness, though, some students truly thrive on being motivated through incentive programs.  Incentive programs can help to not only give your students a goal to work towards, but also to reward your students’ hard work and good behavior.
  4. Try playing more music games in the lesson. Obviously, not every student’s goal is to be a concert pianist.  For some students, it may more than enough for them to become functional pianists who have a strong, life-long appreciation for music.  With these students, try giving an extra emphasis on theory and ear training games.  This may help revive their interest in practicing their repertoire.
  5. Try doing more creative activities involving improvisation and composition. Sometimes we piano teachers fall into the trap of making piano lessons turn into learning how to follow directions on the page (check out this post about getting the focus back on the sound).  Composition and improvisation activities help communicate to the student, “creativity is important!”  Then when working on repertoire, try to capture the student’s imagination and get them thinking about what the composers’ creative processes might have been for their pieces.  Get them excited about creating a mood or story!
  6. Find ways to increase studio camaraderie. Some students thrive on social interactions.  Help them make “piano friends” by providing occasions when your students can meet and interact with each other.  Assign duets between students who have their lessons back-to-back.  And if you don’t already, hold monthly group lessons.  Plan games and activities that involve having the students work together in pairs or small groups of 3 or 4.  Building student friendships within your studio may help them look forward to studio events, lessons, and even practicing at home!
  7. Provide regular performance opportunities. I once had a student who loved playing in soccer games, but disliked soccer practice.  In much the same way, she thrived on piano performances but disliked daily practicing.  Having a recital to prepare for helped tremendously!  Some students need regular performances to keep them motivated.  In addition to your regular annual/semi-annual recitals, try adding other low-stress performance opportunities, such as a Halloween/Christmas Party or a recital at a local senior center.  In addition, try holding studio performance times during monthly group lessons.  You can even call them “Repertoire Parties” instead of calling them by the more traditional “Performance Class” name.  Set the tone by remarking how fun and imaginative each student’s piece sounds, and asking students which piece was their favorite.  Hearing other students play may motivate them to improve their own playing or to someday work on some of the same repertoire they hear from other students.
  8. Have a talk with Mom or Dad. Maybe the problem is simply that the student just needs to practice more.  Have a chat with Mom or Dad and ask if they would be willing to give the student a gentle reminder each day to get on the piano.  For some students, it’s not that they don’t enjoy practicing; it’s just that they need a reminder or a little prompting to get on the bench each day.  Suggest that they make a routine and designate a specific block of time for practice each day.  Ask the parents or older siblings to sit at the bench with the student occasionally and ask them about their pieces and what they enjoy about them.  Suggest that they walk through or sit and read a book/magazine when the student is practicing and occasionally give praise and compliments to encourage them.  These things show the student that practice time is both a priority and something worthwhile and even enjoyable.
  9. Have them sign a practice contract. Are they still not practicing?  If the positive approach in #8 above doesn’t work, it may be time to get a little more aggressive.  Have a talk with Mom or Dad again and tell them that a practice agreement is necessary for the student to continue to be a part of your studio.  Although you may not enjoy resorting to practice contracts (I know I don’t – click here to view my thoughts on practice requirements), students (and teachers too) generally find lessons are much more enjoyable when the student is prepared each week for lessons and is making progress week after week.  Making an agreement may be just what some students need to stay dedicated to piano lessons.

I find that positive reinforcements are best for creating students who want to be there and learn at lessons, but sometimes one must resort to more desparate means.  If you’ve tried everything you can think of and things are still not working, it may be time to say goodbye.  If you’ve been able to keep communication open with the parent, it should not come as a huge surprise when you let them know that it may be time for lessons to end.  Make it clear that they are welcome to find another teacher if they so desire and encourage the student to play piano on their own for fun even though you won’t be giving them lessons anymore.  Do your best to make the parting smooth and consensual whenever possible.

Anything to add?  How do you keep students motivated?

Photo Credit: woodleywonderworks | CC 2.0

Practicing, Technique

Teaching Phrase: “Pretend It’s Easy”

Lately, I’ve trying out this phrase with my students, in situations when a student is struggling with the technique of playing a particular passage:

“Pretend this is really easy for you to play.”

This phrase works best in a situation where the teacher observes that the student is holding far too much tension in his/her arms, wrists, and/or fingers to be able to properly execute a passage.  Rather then hearing a command to release some of the excess tension, however, sometimes hearing a phrase such as “Pretend it’s really easy for you,” has a better effect on the student.

What’s supposed to happen when you pretend it’s easy?

  1. A mental release occurs. Suddenly, the student gives him/her-self the permission to play the passage correctly. When we know (or think) it is a difficult passage, sometimes we don’t allow ourselves even the chance to play it correctly because we don’t think we can.
  2. A physical release occurs.  As the student imagines what it would feel like to play the daunting passage if it were easy for him/her, unnecessary tension in the student’s arms, wrists, and fingers melts away.  This release of tension often makes the passage suddenly much easier to play.

Try it, and let me know what you think!

Photo Credit: alexanderward12 | CC 2.0

Memorization, Music Theory, Practicing, Technique

Top 5 Reasons to Learn Scales

an excerpt from Kuhlau Sonatina Op.20 No.1

Why do we learn and practice scales?  Have you (or your students) ever asked this question?  Is it just for tradition’s sake that piano teachers assign scales to work on?  I think it’s important not only for we teachers to know the WHY behind scales, but also for our students to know!   Continue reading “Top 5 Reasons to Learn Scales”

Announcements, Practicing

Dealing with Frustration: Be Okay with Mistakes & Keep it Fun!

At a piano lesson this week, I observed my student grow increasingly frustrated with herself whenever she made a mistake.  She would “growl” at herself and start back at the beginning of the phrase.

After observing this continue for a few moments, I decided to stop her and address the issue.

There were three reasons why I decided to address this issue:

  1. She was growing increasingly frustrated with herself.  And frustration doesn’t usually yield positive results.
  2. I could tell this was becoming a habitual response.  When she is practicing at home, she is obviously doing the same thing there.
  3. We were sight-reading.  She had never seen this piece before, and there was no reason that she should expect to play it perfectly upon first try.  She is only 7, and hasn’t had much experience with sight-reading yet anyway.

Continue reading “Dealing with Frustration: Be Okay with Mistakes & Keep it Fun!”

improving as a teacher, Motivation, Practicing, Teaching Piano

My Thoughts on Practice Requirements

Many of you may remember being required by your piano teachers growing up to practice a certain amount of minutes each day/week.  Perhaps your requirement looked something like this:

  • 15 minutes a day,
  • 140 minutes each week, or
  • 45 minutes, 5 days a week.

One of my previous teachers built her incentive program around how much practice time each student completed each week.  She would set an amount for each student (15 minutes/day for the young ones, and then gradually increasing up to 60 minutes/day for the advanced ones).  If you completed all your practice time each week, you’d receive a sticker on your chart for that week.  When you received 7 consecutive weeks of completed practice, you were allowed to chose a prize from the prize box.  She used a system similar to the following:

  • Beginners: 10-20 minutes, 5 days a week (depending on their age).
  • Intermediate students: 20-45 minutes, 5 days a week.
  • Advanced students: 60 minutes or more a day, 5 days a week.

Personally, I use a simpler, more flexible practice requirement for my students.  I simply tell my students and parents that they are expected to practice daily.  And that’s it.  Here are my reasons why I like to leave it at that: Continue reading “My Thoughts on Practice Requirements”

improving as a teacher, Teaching Piano

Play forte – but NOT accented…

You know, learning to play an instrument is all about making breakthroughs.  There are so many things to consider and train yourself to do.  It’s a complicated process!  You are never done learning.  There’s always room for improvement.

Over the last few weeks, I’ve been realizing that when I play forte on the piano — whether I’m playing my solo pieces or when I am accompanying a vocalist/instrumentalist — it sounds rather “poundy.”  Forte should not necessarily mean accented, however.  Forte can be a big, full sound without the accented front edge of the note.  But how on earth do I achieve this elusive sound?

This week I made a little breakthrough.  Rather than lifting and reattacking quite so much between chords, I need to keep my arm weight the same as I make the chord changes, more with my fingers than my hands (making sure the wrists remain loose and tension-free!).  It’s difficult to explain, but after a few weeks of pondering this issue in my daily practicing, I think I’m beginning to understand how to create this elusive sound.

You know, piano really is all about creating different sounds, colors, tone qualities – whatever you want to call them.  As my teacher used to say, “Music is not a democracy; not all notes are created equal.”  Now I know that this statement does not just apply to balance between melody and accompaniment, but also to various sections of a piece.  Not all forte notes are equal.  🙂

Photo credit: http://www.flickr.com/photos/jraffreynolds/ / CC BY-SA 2.0

Memorization, Resources

Practice Tips @ “The Practice Notebook” blog

I was recently introduced to “The Practice Notebook” blog, created by flautist Zara Lawler.  She has tons of excellent tips for practicing efficiently, no matter what instrument you play.  Most notably, I found some excellent blog posts about her method of memorizing music.  In my experience, many teachers have their students memorize their pieces, but very few teachers actually teach how to memorize.  I am thrilled to find this blog that lays out a specific step-by-step method.  I am taking her suggestions to heart as I prepare my piano pieces for my midterm next week!

I hope write my own post with my own tips for memorizing music as well, but specific to piano music.  Watch for it coming soon!

Announcements, improving as a teacher, Practicing

Practicing Efficiently

Hello all!  After a enjoyable and much-needed Christmas break, I’m officially back to blogging.  I hope you all had a wonderful Christmas and are enjoying the new year.

Over break, I had limited access to a piano (I don’t currently own one – I both teach and practice using the pianos on campus).  It felt good to be back at it over the last few days.  Today while I was practicing (Liszt’s Waldesrauschen, among other things), I was thinking about concentration and its role in learning new music.  Why is it that on some days, I accomplish a great deal during practice sessions, and on other days, I feel as if I just wasted the last hour as I practiced?   Continue reading “Practicing Efficiently”

Motivation, Practicing

3 Ways to Motivate Busy Students

I believe students today are busier than ever before.  They are involved in everything you can imagine — art, karate, gymnastics, swimming, sports teams, church activities, 4-H, and more.  And this is all on top of their regular homework assignments from school.  Sometimes the student gets stretched too thin, and something needs to go.  Other times, the student may just need a little extra incentive to motivate them to consider piano lessons to be just as important as everything else.

  1. Make a practice contract. A practice contract is basically an agreement between the teacher and the parent/student that they will complete a set amount of practice each week.  Most (young) students cannot remember to practice piano each day on their own.  They need a parent to remind them and keep track of their time spent practicing.  In most cases, both the parent and student (and the teacher) are much happier when consistent practice takes place, because the student can feel that they are progressing, and the parent feels they are getting their money’s worth.
  2. Teach the student how to practice. It’s not enough that the student is playing piano for 15 to 30 minutes each day.  They need to be using that practice time effectively.  To ensure this takes place, the teacher should essentially be teaching the student how to practice during the lesson.  Help the student troubleshoot problem spots and give them specific ways to fix the problems.  Guidelines for practice ought to be written down in an assignment notebook, so that the student can refer to it each time they sit down to practice.  It may be helpful to give young students a set of specific steps to follow.  For example, you might write in their notebook: 1) Point to the all the dynamics in this piece. Find the hand position change and draw a star by that measure.  2) Tap the rhythm of the whole piece on the wood of the piano, counting out loud. 3) Play the piece through as written.
  3. Create an incentive program. Some positive reinforcement (paired with the parents’ help in the consistent practice department) goes a long ways for some students.  Create ways for students to earn points for completing certain tasks, like passing their pieces, memorizing their assignments, completing theory assignments or extra credit worksheets, learning their scales/five-finger patterns, etc.  Get together some prizes to award once the student has earned a certain amount of points.  Click here for a description of the incentive program I have used for the last couple years.

These are just three ways to further motivate students and encourage increased progress.  There are many more.  Please share your ideas below!