Ear Training, Games, Group Classes, Rhythm

Swat-A-Rhythm Game (With Variations)

At last Saturday’s Piano Party with my students, we played a fun game that I call the Swat-A-Rhythm game.  I have seen many variations of this game on various forums and websites, so I am not sure who to credit with the original idea.  In any case, I will describe the way I played this game with my students.  🙂  I also have some ideas for varying the game for concepts besides rhythm — such as notes, intervals, melodies, and terms.

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Swat-A-Rhythm Game (& Variations­)

Materials:

  • A fly swatter for each student.  My local Dollar Tree store is currently selling some colorful fly swatters for 2/$1.00.
  • 5-8 different cards with rhythm examples.  (If you don’t already have some, I have a pdf of rhythm cards available for purchase here in my shop.
  • Bug cards (optional), for keeping track of points.

Gameplay:

Spread the rhythm cards out on the floor, within reach of each player.  After the teacher finishes clapping the rhythm on one of the cards, the first student to swat the correct card earns a bug card.  The player with the most bugs at the end of the game is the winner.  (Note: You may wish to stress that anyone who swats before the teacher finishes clapping the rhythm cannot win the point.)

I’ve created a free pdf with the bug cards and game instructions.  You can download it on the Printables > Games page, by scrolling down to the S’s for Swat-A-Rhythm Game.

It is sometimes challenging to come up with good aural-based games, but I think this one is a winner!  My students had fun with the colorful fly swatters, and the game provided an incentive to listen closely to the rhythm.

Variations:

  • Swat-A-Note – The teacher calls out a letter of the musical alphabet, and students must swat the flashcard with the correct note on the staff.  Or, do it backwards: Hold up a staff note-naming flashcard, and students swat cards that say A, B, C, D, E, F, or G.  (If you need some alphabet cards, click here.)
  • Swat-A-Piano-Key – After the teacher calls out a letter, students swat the corresponding piano key flashcard.  Or, the teacher holds up a piano key flashcard and students swat cards that say A, B, C, D, E, F, or G.  (If you need some piano key cards, click here.)
  • Swat-An-Interval – After the teacher plays an interval on the piano, the students swat the interval card they heard.
  • Swat-A-Melody – Cut a short piece of sheet music into two-measure pieces.  The teacher plays random sections on the piano, and students must swat which two-measure section they heard.
  • Swat-A-Term — After the teacher reads a definition of a musical term, students must swat the card with the correct term.

I hope your students enjoy this fun, versatile game!

Games, Group Classes, Music Theory, Printables

Ice Cream Interval game

Check out the newest item added to the ColorInMyPiano Shop!

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Being able to read notes on the staff intervallically is crucial for sight-reading.  I like to tell my students that reading music is at least 80% interval reading, and only 20% note identification.  To help my students learn to identify intervals quickly upon sight, I created the Ice Cream Interval game.   Continue reading “Ice Cream Interval game”

Technique

Teaching Tip: Leaping Across on the Keyboard

blog Teaching Tip - Leaping Across the KeyboardEven from the beginning, the pieces in most modern piano method books require the student to move around the keyboard quite a bit.  Older piano methods (at least, the ones that utilize the Middle C reading approach) require the student to stay around the middle of the piano during the entire first level, or even further in some cases.  I’m glad modern methods require the student to move around the keyboard, because this because it helps student become familiar and comfortable with the whole keyboard from day one instead of inadvertently teaching the student that anything away from the middle of the piano is “hard.”

I’ve had parents notice and comment on this difference between older and newer methods.  They are surprised when their student needs to use the whole keyboard at their first lesson, because when they took lessons as a child, they remember playing around Middle C and never venturing to the extreme ends of the keyboard.

As an example:  The first four pieces in the Primer Level of the Faber Lesson Book require the student to play a simple pattern on the black key group of 2 or 3, and then to repeat the pattern twice, moving up an octave each time.  Other pieces throughout the series require students to play notes up or down an octave, especially at the end of the piece.  Other method books take a similar approach.

Often, to the student, making those leaps across the piano is the most challenging aspect of a piece.  They sometimes need to stop to think about where their hand needs to go.  Even if they know where their hand needs to go, they still might take some extra time searching the keyboard with their fingers to put the correct finger on the correct key.  This, of course, disrupts the rhythm of the piece.

How can we help students solve this problem? Continue reading “Teaching Tip: Leaping Across on the Keyboard”